Brought up in the Cotswolds, Oliver began his photographic education studying photography at the renowned course at Filton Technical College in Bristol. He went on to study film and television at the London College of Printing and has been balancing work in stills and moving image ever since. His first solo exhibition entitled Volte-face will premier at London's Royal Geographical Society in September 2016. Taken over a period of four years, Volte-face is a series of images taken at the world’s most photographed historic sites, buildings and monuments - but looking away from them. To coincide with the exhibition at the RGS a book of the project, featuring an essay by Geoff Dyer, will be published by Dewi Lewis Publishing Ltd. Oliver continues to produce stills portraiture for major broadcasters as well as generating his own projects for exhibition and publication. He cites as key influences William Eggleston, Saul Leiter and Andre Kertesz. He continues to plough a distinctly idiosyncratic path as Director of Photography on feature films as diverse as Clare Kilner’s The Wedding Date, Frank Oz’s Death At A Funeral and Joanna Hogg’s Unrelated as well as experimental gallery-based installations such as Gideon Koppel’s Borth. He remains in great demand worldwide shooting commercials for high profile clients such as Pantene, L’Oreal, La Perla, Ferragamo, Palmolive, Rimmel, Coca Cola, Sony, Guinness, Canon and Cadbury’s.

Simone Brewster is a designer and artist with over a decade's experience working across the fields of spatial design, furniture and objects. Her collections explore ‘intimate architectures’- creating objects and spaces that utilise architectural principals throughout. Although a part time university lecturer, she considers herself a constant student.

Co-owner and Brand Director at 1934 in London

Photographer

For the last six months, I have been a strange tourist in Munich. I came here to work in a studio and had not so much time to visit it properly. But I partly came in Germany because I was interested in its specific creative approach: it’s precision and rigorousity. In it’s system culture in a way. And indeed it’s a very intellectual society, ruled by color codes and order. It was definitely funny to see that these things are visible in many daily aspects of life. Or maybe it’s just me wanting to see them... Very soon, I will move to London - where I would like to do some freelance work, in product, furniture and space design.