About Gijs
Dutch born photographer Gijs van der Most is based in Los Angeles. Since he switched Amsterdam for Los Angeles about two years ago, he’s been quickly becoming a favorite in the downtown Los Angeles photography scene. Gijs’ photography is direct, personal, and sometimes with a little wink. He’s fascinated by people, their behavior and their environment. His documentary projects include “Used Car Salesmen”, “Yard Sales”, “Sign Jugglers”, and his most recent project ” I ♥ Runyon Canyon”. Even though Van der Most works are displayed in series, he doesn’t waste a single image. Gijs has co-created the blog “van der THIS! “, with his comedian/writer wife Michelle Buteau fusing the photography and comedy world into a miniseries that is eye catching as well as entertaining. His passion for great imagery hasn’t been unnoticed by the popular style, culture, and design blog www.kaufmann-mercantile.com. Where he currently is working as photo editor.
http://www.gijsvandermost.com
Current city: Los Angeles
Dutch born photographer Gijs van der Most is based in Los Angeles. Since he switched Amsterdam for Los Angeles about two years ago, he’s been quickly becoming a favorite in the downtown Los Angeles photography scene. Gijs’ photography is direct, personal, and sometimes with a little wink. He’s fascinated by people, their behavior and their environment. His documentary projects include “Used Car Salesmen”, “Yard Sales”, “Sign Jugglers”, and his most recent project ” I ♥ Runyon Canyon”. Even though Van der Most works are displayed in series, he doesn’t waste a single image. Gijs has co-created the blog “van der THIS! “, with his comedian/writer wife Michelle Buteau fusing the photography and comedy world into a miniseries that is eye catching as well as entertaining. His passion for great imagery hasn’t been unnoticed by the popular style, culture, and design blog www.kaufmann-mercantile.com. Where he currently is working as photo editor.
 
I hang around on the rooftop to relax. Los Angeles traffic is crazy so this is a good place to calm down and try to find my zen. The view is great and I love the rooftop Neon signs you can see from here.
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This is the place you want to go to have a awesome brunch. Be prepared for a waiting line outside on the weekends. The place is packed then. My personal favorites is the Polenta with Maple syrup, bacon, spinach and chicken apple sausage. If you had a rough night before I would suggest the "Hangover Helper", with the bottomless fresh mint-lemonade. Always does the trick.
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You have to cross this bridge when you're driving to downtown from East LA. It gives you an amazing view on the River, old industrial buildings and the high rises of downtown Los Angeles. Remember that famous scene from Grease? This is the place. I'm still trying to figure out how to get my car in here.
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The best Old-fashioned cocktails ever! Hands down. These mixologists know what they're doing. This place is also famous for their french-dipped sandwiches. And oh yes, not to forget about the pickled eggs.
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This restaurant has been a Hollywood landmark for over 60 years. The interior looks like time has stood still. Go to the reastaurant area to have a nice piece of prime rib, and after dinner move to the lounge area where Elaine and Marty sing their oldies but goodies. Some believe that their version of "Staying alive" is better then the original.
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More People in Los Angeles 169

Mimi Cave is a Director based in California. She was born and raised outside of Chicago, and has a background comprised of dance, film, theater, music and yoga.
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Micaela McLucas is a filmmaker and artist based between Los Angeles, Paris and London. She studied at the Université Paris 1 Panthéon Sorbonne and completed her MFA in Contemporary Photography at Central Saint Martins in London. Raised between Argentina and LA, always on an airplane, always out of context. Three passports, four languages, learned every life lesson by getting kicked in the teeth, which is why her work hits the way it does. Her influences range from trash TV to French philosophy and cinema has always been the core obsession. Her work moves between fashion, theory and lived experience in ways that feel both precise and unruly. The world she builds is psychedelic, intimate and unapologetically feminine. She mines her own life for material and uses it to collapse fantasy and confession. Everything is neon soaked, surreal and intrusive, not to escape reality but to pierce it. She's currently writing and developing her first feature film while continuing her studio practice.
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Malerie Marder grew up in Rochester, NY and studied at Bard College completing a B.A. in History and Art. She received her M.F.A. from Yale University where she was awarded the Schickle-Collingwood Prize and The John Ferguson Weir Award. Her solo exhibitions include Leslie Tonkonow Artworks + Projects, Salon 94 and Greenberg Van Doren in New York; Blain|Southern, Maureen Paley, and The Photographer’s Gallery in London; Galerie Gabriel Rolt, Amsterdam. International group exhibitions include Everyday Epiphanies: Photography and Daily Life Since 1969, The Metropolitan Museum of Art, New York; Desire, Gagosian Gallery and Deitch Projects, The Moore Building, Art Basel, Miami; The Naked Face, National Gallery of Victoria,Melbourne; Shoot the Family, ICI, New York; Sight/Insight, Concoran Gallery of Art, Washington, D.C.; the 2004 California Biennial, Orange County Museum of Art; and Blackbox, Edinburgh College of Art in collaboration with the Edinburgh Film Festival. Her work is in the permanent collections of The Metropolitan Museum of Art and the Solomon R. Guggenheim Museum in New York, the National Gallery of Art, the American University Museum and the Concoran Gallery of Art in Washington, DC, the National Gallery of Victoria, Melbourne, The Seattle Art Museum, and the Hessel Museum of Art at Bard College, amongst others. She is represented by Leslie Tonkonow Artworks + Projects, New York.
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