Gramm Cafè is a super lovely place, born just few months ago in the warmest part of Milan: Navigli. Great for sharing some moments with friends, tasting great quality cocktails in a stylish designed interior. One of the best drink is for sure “Prete Rosso”!
Address
GRAMM Cafe, 49 Ripa di Porta Ticinese, Milan, Italy
Current city: Milan
Film director and photographer Milan and Paris based.
 

More Places in Milan 60

Gallery Rossana Orlandi was opened in 2002 in a former tie Factory in the Magenta neighbor, Galleria Rossana Orlandi has been forecasting along the years new and upcoming designers and establishing the premise as one of the most revered platform for avant-garde Design and Lifestyle. Started her activity focusing on the rising dutch design wave with designers such Piet Hein Eek, Maarten Baas and Nacho Carbonell the research has moved widely around the world creating a catalog which reflects the most innovative scenes from Europe to Asia to America. The space is articulated in a not traditional way mixing together, showroom, a retail store, offices and a courtyard for events and meeting with no boundaries between the different activities.
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Gió Marconi gallery started in 1990 under the initiative of Gió Marconi who created the Studio Marconi 17, an experimental space for young artists and art critics that he ran from 1986 to 1990. At the beginning, the new gallery was directed by Gió and his father Giorgio, who had founded the Studio Marconi (1965-1992); now, Gió Marconi gallery mainly focuses on contemporary positions while it also continues to include historical artists of the Studio Marconi into its programme. Gió Marconi is interested in the works of the European and international avant-garde, showing artists such as Franz Ackermann, Trisha Baga, John Bock, Kerstin Brätsch, Matthew Brannon, André Butzer, Alex Da Corte, Nathalie Djurberg & Hans Berg, Simon Fujiwara, Wade Guyton, Allison Katz, Annette Kelm, Sharon Lockhart, Michel Majerus, Oliver Osborne, Jorge Pardo, Tobias Rehberger, Markus Schinwald, Dasha Shishkin, Catherine Sullivan, Grazia Toderi, Fredrik Vaerslev, Atelier Van Lieshout, Francesco Vezzoli, Amelie von Wulffen. From 1965 until now, exhibitions by the following artists have been realized by the Studio Marconi and Gió Marconi gallery: Valerio Adami, Enrico Baj, Georg Baselitz, Joseph Beuys, Peter Blake, Alighiero Boetti, Alberto Burri, Alexander Calder, Anthony Caro, Enrico Castellani, Patrick Caulfield, Mario Ceroli, Marc Chagall, Christo, James Coleman, Gianni Colombo, Willem de Kooning, Sonia Delaunay, Lucio Del Pezzo, Antonio Dias, Bruno Di Bello, Piero Dorazio, Lucio Fontana, Sam Francis, Richard Hamilton, David Hockney, Hsiao Chin, Anselm Kiefer, Martin Kippenberger, Franz Kline, Lee U Fan, Man Ray, Giuseppe Maraniello, Joan Mirò, Maurizio Mochetti, Aldo Mondino, Francois Morellet, Keizo Moroshita, Ugo Mulas, Louise Nevelson, Helmut Newton, Gastone Novelli, Giulio Paolini, Gianfranco Pardi, H.P.Paris, A.R.Penck, Francis Picabia, Pablo Picasso, Arnaldo Pomodoro, Mimmo Rotella, Mario Schifano, Daniel Spoerri, Aldo Spoldi, Emilio Tadini, Antoni Tapies, Herve Telemaque, Joe Tilson, Giuseppe Uncini, Emilio Vedova, Tom Wesselman, William T. Wiley, Christopher Wool.
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Nilufar Depot: three storeys of historic and contemporary design, selected by Nina Yashar, one of Milan’s top design dealers. 
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The Brera Gallery was officially established in 1809, even though a first heterogeneous collection with educational purpose existed already from 1776 – and then increased in the following years – alongside the Accademia di Belle Arti, requested by Mary Therese of Austria to offer the students the opportunity to study lofty masterpieces of art close up. Brera become a museum to host the most important works of art from all of the areas conquered by the French armies. So unlike other important museums in Italy such as the Uffizi, Brera did not start out life as the private collection of a prince or nobleman but as the product of a deliberate policy decision. Paintings confiscated from churches and convents throughout Lombardy with the religious orders’ dissolution began to pour into the museum in the early years of the 19th century, soon to be joined by artworks of similar provenance from other areas of the Kingdom of Italy. This explains why the collection comprises chiefly religious works, many of them large altarpieces, and accounts for Brera’s special aura on which later acquisitions have had only a minor impact.
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The perfect place for 'aperitivo'. Open until late.
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