I’m a creative producer and writer who has worked with artists and brands around the world, including Chobani, adidas, The North Face, Stella Artois, Absolut Vodka, Audi, and Apple. I’m currently VP of Creative Production at Chobani, where I’m helping shape the in-house agency model of the future. In my free time, I write poetry and film scripts, and I’m currently developing a script about my family’s immigration story and their escape from a civil war. My work has been recognized at award shows such as Cannes Lions, D&AD, The One Show, ADC, and FWA, and has been featured in publications including Fast Company, Rolling Stone, The Wall Street Journal, and The New York Times.

Chris Ballantyne’s work focuses on vernacular architecture and observation of the American landscape.  Banal features of suburban and industrial zones are sources for paintings that highlight the quirky and absurd.  Ballantyne states that, “Growing up in a military family and moving to different parts of the country, there was a certain familiarity to the kinds of houses and neighborhoods. They were a series of suburban developments built in separate regions of the country, always on the outskirts of larger cities, at the exit ramps of interstate highways, and all very similar in age and design.  My own notions of space developed out of this cultural landscape which was striving for an indidvidual sense of personal space,  consciously economic, and somewhere between urban and rural.” Dysfunctional structures are flawless in their strangeness, made beautiful through symmetry, simplified lines and flat, subdued colors. Ballantyne eliminates detail to emphasize the subtleties of the way we experience space and our attempts at containment. He extends these concepts further by expanding the imagery of his paintings beyond the picture plane and onto the surrounding walls. “Most of my works involve combinations of various places, drawn from memory. As well, my own interests in skateboarding and surfing altered how I saw  the use of these structures ranging from empty pools, sidewalk curbs, to ocean jetties in a way that tied in to my sense of this larger push and pull between culture and nature.” With shrewd restraint, Ballantyne accentuates the antisocial effects of our built environment with a hint of humor and plenty of ambiguity. A curious emptiness permeates the work of Chris Ballantyne. Graphically rendered buildings, pools, parking lots, and fences take on new meanings and amplified significance, isolated on flat fields of color.

Hello, I'm Jinhwa Jang, an illustrator in New York.

Photographer

I am Helen Eunhwa Oh, Korea-born illustrator based in New York. I love to draw something that I have seen in my everyday life and make the images little funky with vivid, rich and diverse colors.