An awesome, and sometimes free, ferry that links Manhattan at the Financial District to Ikea in Brooklyn via Red Hook. Very great views of the city and if you end up having to pay it's redeemable for a monetary discount towards an Ikea purchase. I think of it as a treat and an investment.

I'm a huge Japanophile: if there's one other place I'd like to live, it's Tokyo. I must have been there seven or eight times, most recently just after the Tohoku earthquake and tsunami. Anyway, EN is a gem on Hudson Street, serving real Japanese cuisine. It turns out that EN is a chain in Japan; there are a lot of branches making lovely bosky food in cosy neighbourhood locations. But their New York incarnation is grand in scale and ambition, with solid, warm interiors (not unlike if the Whitney were a Japanese restaurant, oddly) - a remarkable hybrid of this city, and the other one that I'd love to live in.

When the weather is nice I love to come here with my friends and eat falafel and talk forever and lay in the sun. It’s just a short walk from my place and has a great view of Manhattan and there’s always good trash washed up on the shore.

Rudy's Pastry Shop is a little place my boyfriend and I like to go to on Sunday mornings. The place is super small and cozy and full of all the sweetest treats you can find. They have such a large selection of pastries and the coffee is just as delicious. The location is cute as well and a nice place to stroll afterward. There is a cute record store right around the corner.

In 1963, the Italian-born sculptor Costantino Nivola filled a playground that covers an entire city block with avant-garde abstractions. In the middle of an Upper Manhattan housing project, there are cuboid cutouts sculpted in cement, a fountain made with two diamond-shaped boulders, concrete play horses, and a sand-casted relief carved high into a wall. In the northeast corner, a matriarchal figure known as “The Nanny” rises from the ground. The artist’s sculptures were built in an era when urban development incorporated art in its effort to uplift communities and express democratic ideals. “A work designed for a public space is less a work of art than a civic act,” Nivola once said. “It concerns the ways in which we live together, and in which we influence each other.”