This burlesque club contains a stripper pole, but is hardly worth it unless you know someone who will hook up drinks.
Website
theboxnyc.com
Address
The Box, 189 Chrystie Street, New York, United States
Current city: New York
Spencer Wohlrab is elongate, legless, carnivorous reptiles of the suborder Serpentes which can be distinguished from a legless lizard by his lack of eyelids and external ears. Like all squamates, Spencer is ectothermic, amniote vertebrates covered in overlapping scales. To accommodate his narrow body, Spencer’s paired organs (such as kidneys) appear one in front of the other instead of side by side, and most have only one functional lung.
 

More Places in New York 452

No, it's not a butcher shop. It's a destination sneaker spot with the best selection of Vans!
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It was a warm evening in the city and not yet dark. We arrived, giddy and happy, and he ordered two glasses of prosecco. The waiter managed to fit onto our tiny wood table two plates of tartines, a legumes dish, and a tray of fromage. And then we shared dessert. I can’t remember exactly but it must have been chocolate.
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The best freshly pulled noodles. My favorite is braised pork with noodles in broth, celery and cilantro add a delicious freshness. Perfect for a cold day.
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This place has one of the hottest rooms I've ever been in. The combination of barely being able to breathe from the heat to immediately jumping into a freezing murky pool is addictive. There's also a great roof patio for a change of scenery. A good old school New York spot.
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In 1963, the Italian-born sculptor Costantino Nivola filled a playground that covers an entire city block with avant-garde abstractions. In the middle of an Upper Manhattan housing project, there are cuboid cutouts sculpted in cement, a fountain made with two diamond-shaped boulders, concrete play horses, and a sand-casted relief carved high into a wall. In the northeast corner, a matriarchal figure known as “The Nanny” rises from the ground. The artist’s sculptures were built in an era when urban development incorporated art in its effort to uplift communities and express democratic ideals. “A work designed for a public space is less a work of art than a civic act,” Nivola once said. “It concerns the ways in which we live together, and in which we influence each other.”
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