A now-iconic Chinatown eatery with a mouthwatering menu of health-conscious eats.
Website
dimesnyc.com
Address
Dimes, 49 Canal Street, New York, United States
Current city: New York
Clémence Polès is a New York-based creative strategist & marketer. Born in the south of France and raised in Dubai, she graduated from King’s College London with a Masters in International Marketing. Prior to consulting, Clemence was leading the marketing efforts and digital content of tech start-up, Splacer. Since, she has worked with clients such as Sonos, West Elm, Soho House, Casper, Canal Street Market and more. She is also the creative mind and photographer behind Passerbuys, a website built around real recommendations of the women that pass us by, gaining press from the likes of Time Out, Refinery29, Sight Unseen & more.
 

More Places in New York 452

This little French-Morroccan restaurant is a perfect place for meeting artist friends and, of course, great escargot.
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The print graphic designer´s heaven. All sorts, sizes and weights of paper, shaped in forms i have not seen before (jup you don´t get that in Austria). Packaging material, adhesive letters and everything else you just want to have. Find all sorts of pens and versions of Moleskines. If you like childrens books and/or illustration, also check out the great store on the other side of the street (Cupcake Café).
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Guided visits to 101 Spring Street offer direct engagement with Donald Judd’s art and vision. Advance reservations are required.
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Getaway not far from the city. Nice beach, surreal pool. Next to Fire Island (which is also super nice).
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In 1963, the Italian-born sculptor Costantino Nivola filled a playground that covers an entire city block with avant-garde abstractions. In the middle of an Upper Manhattan housing project, there are cuboid cutouts sculpted in cement, a fountain made with two diamond-shaped boulders, concrete play horses, and a sand-casted relief carved high into a wall. In the northeast corner, a matriarchal figure known as “The Nanny” rises from the ground. The artist’s sculptures were built in an era when urban development incorporated art in its effort to uplift communities and express democratic ideals. “A work designed for a public space is less a work of art than a civic act,” Nivola once said. “It concerns the ways in which we live together, and in which we influence each other.”
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