Coming back from from New Haven, we got off at Grand Central and he took me down one of the concourses to the place with the vaulted ceiling. He stood at one corner and I stood at another and we whispered into the walls, our voices drifting across to each other.

Wonderful place to grab a coffee+pastry with a great vibe and outdoor-only seating. Best cold-brew in the neighborhood. Doubles as the headquarters for The Lot Radio station, so there is often a live DJ spinning pretty chill music.

Old military ruins. The girls sunbath topless here.

Chuko has the best vegetarian ramen I've ever had. It's kind of ruined me for other types of Ramen. Favorite neighborhood spot with good people running it.

In 1963, the Italian-born sculptor Costantino Nivola filled a playground that covers an entire city block with avant-garde abstractions. In the middle of an Upper Manhattan housing project, there are cuboid cutouts sculpted in cement, a fountain made with two diamond-shaped boulders, concrete play horses, and a sand-casted relief carved high into a wall. In the northeast corner, a matriarchal figure known as “The Nanny” rises from the ground. The artist’s sculptures were built in an era when urban development incorporated art in its effort to uplift communities and express democratic ideals. “A work designed for a public space is less a work of art than a civic act,” Nivola once said. “It concerns the ways in which we live together, and in which we influence each other.”