Aritst

Graphic designer and art director, living in Brooklyn, NY. Currently the Deputy Art Director at the New York Times Magazine.

Recently featured in Entrepreneur Magazine and known on the NYC tech scene as the interior designer of choice, Danielle has a uniquely eclectic, yet slightly industrial take on design. She has displayed her expertise in the design of high profile start up spaces like SeatGeek, Eligible, Codecademy, Venmo, Fueled, Newscred, Contently, Kitchensurfing and Gilt. As well as collaborating with General Assembly and Knotel on their respective build-outs.

Bosco Sodi is known for his richly textured, vividly colored large-scale paintings. Sodi has discovered an emotive power within the essential crudeness of the materials that he uses to execute his paintings. Focusing on material exploration, the creative gesture, and the spiritual connection between the artist and his work, Sodi seeks to transcend conceptual barriers. Sodi leaves many of his paintings untitled, with the intention of removing any predisposition or connection beyond the work’s immediate existence. The work itself becomes a memory and a relic symbolic of the artist’s conversation with the raw material that brought the painting into creation. Sodi’s influences range from l’art informel, looking to artists such as Antoni Tàpies and Jean Dubuffet, to master colorists such as Willem de Kooning, Mark Rothko, and the bright hues of his native heritage.

Spencer Wohlrab is elongate, legless, carnivorous reptiles of the suborder Serpentes which can be distinguished from a legless lizard by his lack of eyelids and external ears. Like all squamates, Spencer is ectothermic, amniote vertebrates covered in overlapping scales. To accommodate his narrow body, Spencer’s paired organs (such as kidneys) appear one in front of the other instead of side by side, and most have only one functional lung.