About Verena
I’m Verena Michelitsch, an independent designer and art director from Austria by way of New York City. I specialize in conceptualizing and creating unique visual expressions, spanning graphic design, art direction, illustration, pattern, editorial, and digital design. I’ve had the pleasure to work with an array of international studios and clients, including Apple, Nasa/JPL, Facebook, Red Bull, The Smithsonian and Opening Ceremony. I work from my studio in Greenpoint, Brooklyn.
http://www.verenamichelitsch.at
Current city: New York
I’m Verena Michelitsch, an independent designer and art director from Austria by way of New York City. I specialize in conceptualizing and creating unique visual expressions, spanning graphic design, art direction, illustration, pattern, editorial, and digital design. I’ve had the pleasure to work with an array of international studios and clients, including Apple, Nasa/JPL, Facebook, Red Bull, The Smithsonian and Opening Ceremony. I work from my studio in Greenpoint, Brooklyn.
 
When I first visited NY in 2010 the New Museum left a permanent impression. I love the architecture and the concept of the piled-white-shoe-box look-a-like building at the edge of the Lower East Side neighborhood. The exhibition program is appealingly different, and the bookstore in the foyer is not to be missed!
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The print graphic designer´s heaven. All sorts, sizes and weights of paper, shaped in forms i have not seen before (jup you don´t get that in Austria). Packaging material, adhesive letters and everything else you just want to have. Find all sorts of pens and versions of Moleskines. If you like childrens books and/or illustration, also check out the great store on the other side of the street (Cupcake Café).
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I think it takes place every Saturday morning to afternoon, vintage shopping while having a great view at the Manhattan skyline from the East River State park. You will find lots of vintage shops and warehouses around this area of Williamsburg.
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It's sugar-coated shabbyness. I have been there in wintertime, all the rides and attractions were closed, but it´s still nice to have a walk on the beach or spot some funny looking storefronts and vintage-looking rollercosters. A perfect backdrop for photoshootings, a gem for friends of vintage typography. On 4th of july hot dog eating contests are held here (they actually do that!).
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For the first time in Manhattan we lived on 14th street – this nice and cozy café around the corner (on 16th) still is our favorite place for delicious breakfast or brunch... Think they have tons of meals on their menu, quite affordable for huge portions.. Plus, good music.
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My second-favorite outdoor-place in Manhattan. The abandoned 1.6 km rail tracks running above Chelsea down to the Meatpacking district were turned into an above-ground park. Perfectly nice place for sitting in the sun, reading, relaxing, having lunch in some green spot in the city. Nice views at the Hudson River, New Jersey, the Statue of Liberty (little small from there but still visible) and the architecture around Chelsea.
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More People in New York 391

Multidisciplinary Creative.
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Eric is a Youngstown, Ohio born – Brooklyn, New York based artist and designer. His work explores the idea of networks and systems through the synthesis of fundamental design elements, geometry and abstraction. He’s obsessed with technology, maps, data visualizations, information graphics, technical diagrams, infrastructure, architecture and complexity - all of which informs his work. He loves cities, nature, and great food.
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Chris Ballantyne’s work focuses on vernacular architecture and observation of the American landscape.  Banal features of suburban and industrial zones are sources for paintings that highlight the quirky and absurd.  Ballantyne states that, “Growing up in a military family and moving to different parts of the country, there was a certain familiarity to the kinds of houses and neighborhoods. They were a series of suburban developments built in separate regions of the country, always on the outskirts of larger cities, at the exit ramps of interstate highways, and all very similar in age and design.  My own notions of space developed out of this cultural landscape which was striving for an indidvidual sense of personal space,  consciously economic, and somewhere between urban and rural.” Dysfunctional structures are flawless in their strangeness, made beautiful through symmetry, simplified lines and flat, subdued colors. Ballantyne eliminates detail to emphasize the subtleties of the way we experience space and our attempts at containment. He extends these concepts further by expanding the imagery of his paintings beyond the picture plane and onto the surrounding walls. “Most of my works involve combinations of various places, drawn from memory. As well, my own interests in skateboarding and surfing altered how I saw  the use of these structures ranging from empty pools, sidewalk curbs, to ocean jetties in a way that tied in to my sense of this larger push and pull between culture and nature.” With shrewd restraint, Ballantyne accentuates the antisocial effects of our built environment with a hint of humor and plenty of ambiguity. A curious emptiness permeates the work of Chris Ballantyne. Graphically rendered buildings, pools, parking lots, and fences take on new meanings and amplified significance, isolated on flat fields of color.
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