In 1963, the Italian-born sculptor Costantino Nivola filled a playground that covers an entire city block with avant-garde abstractions. In the middle of an Upper Manhattan housing project, there are cuboid cutouts sculpted in cement, a fountain made with two diamond-shaped boulders, concrete play horses, and a sand-casted relief carved high into a wall. In the northeast corner, a matriarchal figure known as “The Nanny” rises from the ground. The artist’s sculptures were built in an era when urban development incorporated art in its effort to uplift communities and express democratic ideals. “A work designed for a public space is less a work of art than a civic act,” Nivola once said. “It concerns the ways in which we live together, and in which we influence each other.”

The Bronx Botanical Garden is a place my father and I have been going to since I was a child. Here's a photograph I took of him here. It has hundreds of species of trees and flowers. Sitting in the middle of the Bronx, it's most recognizable as a green oasis from the grays and concrete of city life. 

I can’t get enough of the dioramas, but my favorite parts of the AMNH are the Halls of Meteorites and Minerals. There are some beautiful specimens here, and best of all you can actually lay your hands on the 4.5-billion-year-old Cape York Meteorite.

An experiential event series dedicated to working with artists to bring new ecologies to architecturally unique spaces through transcendent audio and visual performance.

Consistently superb wlbrg staple. Good for coffee, lunch and lavish dinners.