Chris Ballantyne’s work focuses on vernacular architecture and observation of the American landscape.  Banal features of suburban and industrial zones are sources for paintings that highlight the quirky and absurd.  Ballantyne states that, “Growing up in a military family and moving to different parts of the country, there was a certain familiarity to the kinds of houses and neighborhoods. They were a series of suburban developments built in separate regions of the country, always on the outskirts of larger cities, at the exit ramps of interstate highways, and all very similar in age and design.  My own notions of space developed out of this cultural landscape which was striving for an indidvidual sense of personal space,  consciously economic, and somewhere between urban and rural.” Dysfunctional structures are flawless in their strangeness, made beautiful through symmetry, simplified lines and flat, subdued colors. Ballantyne eliminates detail to emphasize the subtleties of the way we experience space and our attempts at containment. He extends these concepts further by expanding the imagery of his paintings beyond the picture plane and onto the surrounding walls. “Most of my works involve combinations of various places, drawn from memory. As well, my own interests in skateboarding and surfing altered how I saw  the use of these structures ranging from empty pools, sidewalk curbs, to ocean jetties in a way that tied in to my sense of this larger push and pull between culture and nature.” With shrewd restraint, Ballantyne accentuates the antisocial effects of our built environment with a hint of humor and plenty of ambiguity. A curious emptiness permeates the work of Chris Ballantyne. Graphically rendered buildings, pools, parking lots, and fences take on new meanings and amplified significance, isolated on flat fields of color.

Ewa Doroszenko - intermedia artist, Doctor of Fine Arts, lives and works in Warsaw. Graduate of the Nicolaus Copernicus University in Toruń, scholarship holder of the Ministry of Culture and National Heritage of the Republic of Poland in 2019 and the City of Toruń in the field of culture in 2013 and 2011. A laureate of many international competitions, including Preview – Fait Gallery, Brno, 2016; Debuts 2018 – doc! photo magazine; Debut 2018 – Lithuanian Photographers Association; finalist of Noorderlicht International Photo Festival, 2021; Kranj Foto Fest, 2021; International Festival of Photography FIF BH – Brazil 2020; Athens Digital Arts Festival, 2020; GENERATE! Festival for Electronic Arts, 2019; Der Greif and the World Photography Organization open call, 2018; FILE Electronic Language International Festival, Sao Paulo, 2015; Gray House Foundation Competition, Krakow, 2011. Participant in numerous artist residency programmes, including Re_Act contemporary art laboratory in Portugal, Atelierhaus Salzamt Linz in Austria, The Island Resignified Lefkada in Greece, Petrohradska Kolektiv Prague in the Czech Republic, Klaipeda Culture Communication Center in Lithuania, AAVC Hangar Barcelona in Spain, Kunstnarhuset Messen Ålvik in Norway. Her works have been presented at the Starak Family Foundation in Warsaw, the Wozownia Art Gallery in Toruń, the Center for Contemporary Art in Toruń, Fait Gallery in Brno, Propaganda Gallery in Warsaw, Exgirlfriend Gallery in Berlin, Wroclaw Contemporary Museum.

Emil Kozak is from a small town in Denmark, and was inspired to take on graphic design as a result of his life long passion for skateboarding. He began at an early age to develop his skills, inspired by skateboard-art and album covers. Growing up in Denmark, the long tradition of scandinavian functional minimalism, is inevitable and the result today is a unique artist with brilliant ideas running a studio, a clothing/surfing brand and exhibiting in art-galleries all over the world. He is motivated by a simple goal that resonates throughout his work: ”I hope that my work can remind us that imagination can defy gravity and bend time. It is our own responsibility to enjoy every second of the day. Nobody else can do that for us. Have fun, do what you love, love what you do. We might get thrown off this spinning ball of iron and mantle tomorrow.” He currently lives and works in Barcelona.

Based in Milan, Italy, Emiliano Ponzi’s bold textured illustrations employ repetition, a judicious use of line, strong graphic compositions and the use of conceptual metaphors to define and communicate the concept at hand. His illustrations appear in advertising, magazines, books, newspapers and animation, for clients that include The New York Times, Le Monde, The New Yorker, Louis Vuitton, Moma NY, Cartier, Der Spiegel, Penguin Books, Hyundai, Esquire, and Amnesty International. Italian clients include Armani, Bulgari, Gucci, Martini,  La Repubblica, Feltrinelli, Lavazza, TIM, Pirelli, Ferrari and the Triennale Design Museum. Emiliano has received numerous honors including the Young Guns Award from the New York Art Directors Club and the coveted Gold Cube from The Art Directors Club of New York. He has won multiple medals of honor (gold and silver) from the Society of Illustrators New York, and award recognition from Society of Illustrators  Los Angeles and the 3×3 Magazine Pro show. Awards of excellence have appeared in Print, How International Design Award, Communication Arts Illustration Annuals and American Illustration Annuals. “10×10”, his first monograph (Italian-English edition), was published by Corraini (Italy) in 2011 and sold out of both first and second editions. His first picture book “The Journey of the Penguin” was published in fall 2015 by Penguin Books for it’s 80th anniversary. His second one “ The great New York subway map” will be published by the MOMA of New York next February 2018. He is considered one of the finest illustrators of his generation.

Clara claus is a multi disciplinary artist, after living in Brooklyn for 12 years she moved back to Paris.