Under the city, the extraordinary Gesamtkunstwerk by Louis van Gasteren, Jan Sierhuis and others is located in Nieuwmarkt underground. This is one of the public artworks of the Seventies and early Eighties endangered due to station renovation on the Underground Eastline. At present there is a notice hanging at different spots on the wall: ‘‘This artwork has been temporally removed due to renovations”.

Rijksmuseum in all glory but the rather overlooked library is a must.

This image I had discovered on a regular visit to the Huis van Marseille. Photographers typically gravitate towards Fotografie Museum Amsterdam (FOAM), but the House from Marseille always has gems.

A few years ago, the Volkskrant (one of the countries biggest newspaper) moved office to a new location. Their old headquarter now houses hundreds of artists and musician; along with dance studios, a bar/club with panorama over the city, a dreadlock 'doctor', a Russian cultural centre, a cyberpunk gallery and my photo studio on the 4th floor. It was a conscious choice by the founders to create a total melting pot. In the basement for example, 3 doors away from our music studio, you will find some cheerful weed smoking hiphop producers from the Bijlmer (the 'ghetto' of Amsterdam); an ex-yougoslavian hardcore drummer with a full analogue recording studio and a ballet school run by an obese woman in her 70's. Ok, it might seem artificial, but it really is quite magical!





Almost every underground station in Amsterdam has a fascinating story behind it. My favourite one is metro station ‘Weesperplein,’ because it has a hidden station underneath the actual station that was meant for the 'Singellijn.' However, that line was never build and the second station remained useless. Besides that the hidden station was also equipped to serve as a shelter during the cold war. The large doors that were meant to hermetically close the building are still visible at both ends of the platform. Other small details, like the panels in the ceiling than can be used as tables when turned around, are also silent references to the building’s former use.