I never knew this neighbourhood existed and went to visit a friend and was instantly transported out of Berlin into some sort of 50's utopia.
"The Hansaviertel is a prime example of modern architecture and urban planning in the fifties in Berlin.
36 individual buildings or ensembles still form the model of modern architecture and urban planning of the 1950s. The southern part of the war-damaged Hansaviertel, which lies between the S-Bahn line and Tiergarten, was chosen as the central demonstration area of the International Building Exhibition in order to present the "city of tomorrow" - in deliberate contrast to the East Berlin Stalinallee and the restored tenement barracks." - berlin.de
Also visit The Akademie der Künste, if not for the art then the architecture alone.
The Zoo and the Aquarium is on the things that never changed during the years. Everytime I visit it looks exactly the way when I first went when I was a little child. This place gives me a lot of inspiration, I like the way they want to make the cage enviroment look natural with artificiel light.
This museum of photography is really great, and the highlight for me after the inspiring exhibitions is the good coffee and great cakes at their coffee place.
I find myself there almost every second week for a drink and a slice of cake. The food is perfect, the ambiance is nice and it's really alive as a lot of people are coming directly from the running exhibition. At the entrance you can find an interesting bookstore and the best photoautomat of the city right outside.
Last but not least, it's only some meters from the Helmut Newton Fondation ( which doesn't have a nice coffee place itself yet ).
The central ‘Mitte’ area of Berlin is packed tight with galleries and museums, which means you can cram a lot into a short amount of time, if that’s what you want.
The best of the lot is the Me Collectors Room, which shows off large chunks of the Thomas Olbricht collection alongside other contemporary private artworks. The permanent ‘Wunderkammer’ display offers over 200 pieces from the Renaissance and the Baroque periods, with a solid focus on the strange and macabre. There’s even a Mark Ryden original that fits in nicely.