Cemetery of the Dreifaltigkeitsgemeinde (Dreifaltigkeitsfriedhof) in Kreuzburg on Mehringdamm 22, between Zossener Strasse and Blücherstrasse. The grandson of German-Jewish philosopher Moses Mendelssohn, is musician Jakob Ludwig Felix Mendelssohn who was born in Hamburg and lived in Berlin from age two. Felix Mendelssohn and his family are buried in the middle of Kreuzburg at the Cemetery of the Dreifaltigkeitsgemeinde. Today it is administered together with its 5 neighbouring Protestant cemeteries by the cemetery administration St. Jacobi number I.
This café is where I go when I want to feel at home and spoil myself with food
prepared with passion and care.
I spend hours between a coffee and a carrot cake while working on my computer
A small but never-the-less great museum for photography-lovers. It’s there that I fell in love with dear Helmut.
Mr. Newton was this man who loved women bodies, dramatic stagings, and his wife. An original who was down-to-earth and respectful despite living a glamorous life.
After every visit I feel inspired, more confident and proud to be a woman and own my body.
You will find at the Helmut Newton Fondation a collection of his photography work, personal belongings, and condolence letters wrote to his wife after he passed away. In addition of that, a space dedicated to June Newton’s work, a little cinema room as well as two temporary exhibitions for contemporary artists ( check website for more infos ).
Helmut Newton will remain one of my human and artistic crush, I can only recommend to pay yourself a visit there to learn about his work, his life, his love.
p.s.: and it’s some hundred meters only from the C/O Gallery.
The central ‘Mitte’ area of Berlin is packed tight with galleries and museums, which means you can cram a lot into a short amount of time, if that’s what you want.
The best of the lot is the Me Collectors Room, which shows off large chunks of the Thomas Olbricht collection alongside other contemporary private artworks. The permanent ‘Wunderkammer’ display offers over 200 pieces from the Renaissance and the Baroque periods, with a solid focus on the strange and macabre. There’s even a Mark Ryden original that fits in nicely.