One of the most beautiful pieces of Berlin actually is a piece of another city (Al-Hillah, Iraq). Normally Berliners are laid back and like to hang around, drink beer and chat till sunrise. Sometimes they do get excited though, and then they start taking old war-battered stones and piecing them together to (re)form walls. The results are great as can be seen all over Berlin, but the Ishtar gate in the Pergamon museum is where they’ve really outdone themselves.

To me, this place feels a lot like New York! 

Delicious beer and marinated camembert.

A green oasis wedged between the continuous blocks of apartments, this Cemetery provides a place to be alone or take sleeping kids. I love how from the front it looks slightly macabre and a rigid with it's iron gate. But if you dare to enter its a fantastic place to escape and think. There's a battle going on locally about adding a building inside the ground to help fund the archive and maintenance of the site. The Chair Anke Reuther feels the park is being disrespected with children playing on the headstones and people using it as a place for picnics. Whilst i don't know the in's and out's I love seeing this beautiful 'life cycle' playing out under the trees (which have probably seen it all before). I love that people use a cemetery for living and in our ever crowded cities a green space is being claimed by the community. I do feel there is a hushed respect that i don't see in other parks which gives the place a reflective mood. Personally another building would ruin the magic of the place. Perhaps some more input from the people who use it could be the key? Or even a re-examination of the inscription above the gate: Make life good and beautiful here, no other world is, no resurrection.

The central ‘Mitte’ area of Berlin is packed tight with galleries and museums, which means you can cram a lot into a short amount of time, if that’s what you want. The best of the lot is the Me Collectors Room, which shows off large chunks of the Thomas Olbricht collection alongside other contemporary private artworks. The permanent ‘Wunderkammer’ display offers over 200 pieces from the Renaissance and the Baroque periods, with a solid focus on the strange and macabre. There’s even a Mark Ryden original that fits in nicely.