Stephan Würth is a photographer originally from Germany who grew up between Munich, Texas and California. He discovered photography at age fourteen during a family vacation in Spain; his favorite subjects were sun-bathing women on the Costa del Sol. In 2000, he enrolled in the Art Institute of Ft. Lauderdale to study photography, and after graduating, became a full time photographer. Some of his clients include Vogue (Latin America), GQ (UK, Italy and Germany), Sports Illustrated Swimsuit Edition, Esquire, Levi’s, AOL, Bonobos, Macy’s. In 2011, Stephan released his first book “Ghost Town” published by Damiani. Würth currently resides in New York City's West Village with his wife, Vanessa.

Born and raised in Cardiff, James Davies is a photographer who has lived in London for 13 years. His work centres around the impact of the city upon its citizens and its citizens upon the city, as well as the wider social, economic and political themes that affect daily life in Britain. His most recent series, The Sclerosis of Existence, looks to explore the relationship between the people and the places of a city when seen through the repetition of daily routine.

Leah Nash and Christopher Onstott are an award-winning photography & videography duo based in Portland, Oregon. They specialize in real people commercial, editorial, corporate, education, and travel photography. Both originally photojournalists, Leah and Christopher take a moment-driven approach, capturing authentic imagery whether in life, at work, or on set. The result is graphic, storytelling, portrait and lifestyle photography that is full of color, light and intimacy. Not averse to dancing (her), telling bad jokes (him) or listening intently (both), their goal is to leave their subjects a little bit better than they found them. All the while creating a wealth of images that look and feel spontaneous. They feel darn proud to work for brands like Apple, Charles Schwab, Microsoft, Chase Bank, Legacy Emanuel Medical Center, The Oregon Symphony, Marriott, and Portland State University. They also shoot for a variety of editorial clients including National Geographic Traveler, The New York Times, Rolling Stone, The Wall Street Journal, Mother Jones, NPR, and AARP.

Photographer splitting time between New York and Los Angeles

Brought up in the Cotswolds, Oliver began his photographic education studying photography at the renowned course at Filton Technical College in Bristol. He went on to study film and television at the London College of Printing and has been balancing work in stills and moving image ever since. His first solo exhibition entitled Volte-face will premier at London's Royal Geographical Society in September 2016. Taken over a period of four years, Volte-face is a series of images taken at the world’s most photographed historic sites, buildings and monuments - but looking away from them. To coincide with the exhibition at the RGS a book of the project, featuring an essay by Geoff Dyer, will be published by Dewi Lewis Publishing Ltd. Oliver continues to produce stills portraiture for major broadcasters as well as generating his own projects for exhibition and publication. He cites as key influences William Eggleston, Saul Leiter and Andre Kertesz. He continues to plough a distinctly idiosyncratic path as Director of Photography on feature films as diverse as Clare Kilner’s The Wedding Date, Frank Oz’s Death At A Funeral and Joanna Hogg’s Unrelated as well as experimental gallery-based installations such as Gideon Koppel’s Borth. He remains in great demand worldwide shooting commercials for high profile clients such as Pantene, L’Oreal, La Perla, Ferragamo, Palmolive, Rimmel, Coca Cola, Sony, Guinness, Canon and Cadbury’s.