The tunnels are a Crane.tv favourite. We have used the space as a backdrop for several films including a music session with The Civil Wars. The tunnels have a great story behind them and feature one of the only legal graffiti walls in London on their Leake Street side which was championed by Banksy back in 2008.
Address
Old Vic Tunnels, Station Approach Road, SE1 8SW, London, United Kingdom
Current city: London
Media Entrepreneur Constantin Bjerke is the Founder and CEO of Crane.tv a story-telling company, which in 2011 was named a “top ten European start-up to watch in 2011” by the Wall Street Journal. Crane.tv is re-inventing cultural publishing as the first online video magazine for contemporary culture, with content also syndicated to a wide array of sites including the Huffington Post, Wallpaper*, and the New York Times reaching an influential, world-wide audience.
 

More Places in London 471

Founded in 1828 the museum houses around 67,000 specimens many of which are now extinct or endangered. My favorite is the skull of a Bottlenose Whale from 1860.
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2 Willow Road designed by Ernő Goldfinger and completed in 1939. It has been managed by the National Trust and is open to the public. Goldfinger lived here with his wife and their children until his death in 1987.
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Being down on the underground can be quite stressful and draining, but if you have the chance to look up and into the details that has gone into the tiling of the platforms and stations you might start to see some beauty down there. A lot of stations has bespoke tiles and decorations, almost a century old. Bethnal Green station is one of a handful in London to have been given a very specific additional decoration to the classic cream tiles and name strip. Easy to miss, but dotted around the station are a series of tiles with raised motifs on them, representing aspects of London and places that the Underground visited. Or for typographers: check the type on Hampstead station or Holloway Road for some inspiration.
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In terms of materials and form, these galleries offer so much. On an abstract and typographic level, so useful. This is a section of an altar frieze, from the Eye Temple at Tell Brak (N.E. Syria), dated 3300–3000BC. The Egyptian rooms take the tourist weight; these spaces are much quieter and amenable time spent drawing and thinking.
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An unassuming glass door on an otherwise plain facade hides a cavernous space, with high ceilings and huge sliding partitioned walls producing excellent exhibitions in a space you'll want to go back to.
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