Coming here as a child and even now the collection is utterly astounding I can spend hours in the fossel and mineral room. Plus the architecture of the building is completely unique and breath taking.

This is a little general but there’s so many great cinemas in London, I can’t choose just one. I probably go to Screen on the Green most often as it’s nearby and shows great films, has really comfortable armchairs and serve drinks to your seat as well as hosting director Q&As and late night screenings. Other favourites include: Curzon Mayfair, Renoir, NFT, Barbican and Prince Charles cinema where I’ve been to a great Movie Maths triple bill; RoboCop + The Raid = Dredd. I can’t get rid of anything so compile all my tickets in a file chronologically, which also serves as a map of where I was living at any one time; depending on which cinemas I frequented the most.

It's a beautiful place and the food is amazing.

When I first took up photography I knew it was something I wanted to do but was unsure of what I wanted to take photos off. I started out by mainly photographing London's graffiti and street art. Graffiti isn’t tolerated in London as much as in other cities (such as Berlin or Lisbon) but it has a long history in the capital and if you know where to look there's a lot of it around. Some of the best street artists and graffiti writers in the world either live in or travel to London to use it as a canvas. It's not something I photograph so much anymore but I still admire those who do it. The risks involved and their dedication are truly remarkable. I always wish I had the balls and the talent to try it myself.

Although off the beaten track from the large national galleries, 198 is no less an important part of London’s artistic heritage. Developed during the social unrest in the Brixton area in the 1980s, 198 has grown from a community arts space into an exciting contemporary visual arts body that is often the first place to see the next rising star of the London art scene.