Amanda Eliasson is a Swedish animation director based in London. Her work place primary interest in hand generated processes. She recently graduated with an MA in animation from the Royal College of Art, London. Now she’s a freelance animation director in the UK. “Since I started animating I’ve developed an interest in making flat images transport the viewer into a three dimensional space. I would say my style is playful and naive in contrast to the difficult social subjects I often address in my films”.

Matteo Fogale is a london-based designer specialised in furniture and product design as well as interiors, installations and strategic consultancy.

Sustainable fashion writer and editor, former fashion editor for Metro newspaper. Founder of hownowmagazine.com

Izabela is a German-Polish writer and editor who grew up in Berlin. She graduated with a BA in Communication, Curation and Criticism from Central Saint Martins and completed a masters degree in Critical Writing for Art and Design at the Royal College of Art. Through writing about art, architecture, politics, the media and design, she observes the constructs of everyday life. Izabela cares to be both a boundless enthusiast and a sensitive critic when engaging with contemporary narratives or speaking to current-time visionaries.

Since an early stage, Giacomo felt interested in the visual perception of the volumes, light, transparencies, light materials, and how the eye treats the mind with a thoughtful use of them. Bachelor in Product Design and a Master’s degree in Architecture provided him all the technical aspects of the use of strengths, understanding of materials and 3D modelling. Once has the technical knowledge and the convince of creating art, the material chose was the step to follow. The keenness of using a simple material whit shining properties became stronger thus after an examination of different materials the decision was to use brass and steel wire. In addition, the concept of using something cheap to create something precious is very attractive. Creating a net of sewed wire with specific mental patrons and the using the strengths, making reinforcement to create shapes and curvatures lead final sculptures and models. The process followed during the last four years has been an autodidactic process of discovering how the weight, the tensions and the structure of the net can get transformed into an art piece.