Massimo De Carlo gallery was founded in Milano in 1987. Since the beginning Massimo De Carlo gallery program included young and prominent artists such as, among others, Alighiero Boetti, Rudolf Stingel, Maurizio Cattelan, and Yan Pei-Ming. The global affirmation of these and the other artists of the gallery has favoured its on-going success. For 30 years Massimo De Carlo has been playing a fundamental role in bringing the most interesting voices of international art to the Italian scene, and Italian artists into the global arena. This contributed to the promotion and establishment of a vital dialogue between the artists and national and international institutions, encouraging relationships between galleries, critics, curators, and collectors. Throughout the years, the gallery’s artists have been shown in international museums and biennials, and thus obtained an outstanding place into important public and private art collections. Since 2019 Galleria Massimo De Carlo’s new headquarters are located at Casa Corbellini-Wassermann, situated in Viale Lombardia 17, which was built in the early 1930s (1934-1936) by the renowned Italian architect Piero Portaluppi.
Website
massimodecarlo.com
Address
Massimo De Carlo Gallery, 17 Viale Lombardia, Milan, Italy
Current city: Milan
DOMENICO DE CHIRICO: ITALY, INDEPENDENT CURATOR. Domenico de Chirico is an independent curator from Italy. Born in Bari in 1983, he lives and works in Milan. From 2011 until 2015 he was a professor in “Visual Culture” and “Trend Research” at Milan’s European Institute of Design (IED). He collaborates with a number of international artists, galleries, institutions, art fairs, art prizes, and magazines worldwide. He has been artistic director at DAMA Fair, Turin since 2016. He was also a visiting tutor at Goldsmiths, University of London (2018). Upcoming exhibitions and researches (2019/20): Accademia di belle arti di Urbino, academy of fine arts located in Urbino, Marche, Italy (guest lecturer); Bienvenue Art Fair, Paris (prize jury member); Fotopub Festival, Novo Mesto, Slovenia (guest lecturer). Exhibitions in various venues and cities, among which: Turin, Milan, Berlin, Munich, Lisbon, Miami, Brescia, Istanbul, Florence, Venice, Rome, Prague, Mallorca, and so forth.
 

More Places in Milan 60

The Spirit is a cocktail bar in the hearth of Porta Romana, in Milano. An hidden gem, they say. At first sight you might not see the door. You need to be curious and adventurous to get in. But it’s worth it! Once inside, custom made velvet sofas, extravagant mirrors and games of sparkling lights will lure you down in a world of illusion and magic, where the perception of time and the world outside fades away. Surrounded by rare bottles from all over the world, you can savor the unusual mixed ingredients of our crafted cocktails, have a sip of long aged spirits from exotic lands or just have the barman tailor your perfect serve. Experience The Spirit!
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Pirelli HangarBicocca is a non-profit foundation, established in 2004, which has converted a former industrial plant in Milan into an institution for producing and promoting contemporary art. This dynamic center for experimentation and discovery covers 15,000 square meters, making it one of the largest contiguous exhibition spaces in Europe. It presents major solo shows every year by Italian and international artists, with each project conceived to work in close relation to the architecture of the complex, and explored in depth through a calendar of parallel events. Admission to the space and the shows is completely free of charge, and facilitators are on hand to help the public connect with the art. Since 2013, Vicente Todolí has been the foundation’s Artistic Director. The complex, which once housed a locomotive factory, includes an area for public services and educational activities, and three exhibition spaces whose original twentieth-century architectural features have been left clearly visible: Shed, Navate, and Cubo. As well as its exhibitions program and cultural events, Pirelli HangarBicocca also permanently houses one of Anselm Kiefer’s most important site-specific works, The Seven Heavenly Palaces 2004-2015, commissioned for the opening of Pirelli HangarBicocca. The history of Pirelli HangarBicocca is closely linked to that of Breda, a company incorporated in 1886 by Ingegner Ernesto Breda, who moved it to the Bicocca district from 1903. Pirelli, Falck and Marelli followed suit with their own companies, thus turning the area into one of the most important industrial centres in Italy. In the new 200,000m² factory, Breda mainly manufactured railway carriages, electric and steam locomotives, boilers, farm machinery and equipment and, during the First World War, aeroplanes, projectiles and other products for the war effort. One of these factory buildings was Pirelli HangarBicocca, which at the time was divided into blocks of different types, origin and size. The “Shed“, for example, a typical low bare-brick factory building with double-pitched roof and large skylights, is already quite recognisable in photos dating from the first half of the 1920s. It was here that components for locomotives and farm machinery were manufactured. In 1955 Breda Elettromeccanica e Locomotive enlarged its premises with the addition of a cubic barrel-vaulted building which is now the Cubo exhibition space of Pirelli HangarBicocca. The huge building that joins the Shed and the Cubo, which is today called “Le Navate”, was constructed between 1963 and 1965 for the transformers department. It was here that high-powered machines were assembled and tested. The building, which has retained its original dimensions – 9500 m² with a height of about 30 metres – consists of a “nave” and two aisles. Since 2004, one of these has been home to The Seven Heavenly Palaces by the German artist Anselm Kiefer. Storage facilities and sheds were demolished in about 2000 to create the garden where Fausto Melotti’s La Sequenza has been since 2010. In the early 1980s, Breda was taken over by the Ansaldo Group and, almost at the same time, the historic industrial areas gradually began to be decommissioned. The Bicocca district then underwent an almost total urban redevelopment. The Bicocca Project, which was launched in 1986, led to the creation of university buildings, administration centres and private housing around the Teatro degli Arcimboldi, as well as to the redevelopment of the old Pirelli factory buildings. After a decade of neglect, Pirelli HangarBicocca (formerly known as Ansaldo 17) was purchased by Prelios, the former Pirelli RE, which in 2004 decided to turn it into an exhibition space for contemporary art.
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First we should say the flaw, Trattoria Arlati is a bit far away from the city centre and not really easy to get to with public transport. Having said that, it’s the most charming restaurant where we’ve ever been. We always go there and always get the same menu, “Risotto al Salto” and “Ossobuco alla Milanese” of course, and it’s always delicious but is not just the food. In the 60’s it was really popular among artists, in the 70’s bands started to play in the basement and now when you get in you immediately feel it. It’s a charismatic place.
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Modern coffee shop, offering artisan coffee and pastries.
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Founded in 2011, Paladini 8 is a space of 500 mq which includes a backyard, a bar/bistrot, a vinyl and book shop, an exhibition room, a coworking space and a bunch of private offices with professionals in the creative field. Concerts, exhibitions and events are organised every night. This place represents an active and important landmark in the new cultural and artistic scene of Milan.
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