Starting from the end of the Nineties, the Gallery knew how to cut out its own space and become the reference point to lovers of historical design as well as to people following the evolution of contemporary design, above all within that more learned, poetic and visionary area shifting between production and contemporary art. Nina Yashar, the gallery founder, works with her sister Nilu and a team of five people. Nilufar took part in several editions of Pavillon des Arts et du Design in Paris and is always present at Design Miami/Basel. Nilufar has its own small manifesto, composed of three words: Discovering, Crossing, Creating. Discovering Novecento is the century of design, a source of extraordinary stories and objects which will be dealt with again for a long time, waiting just for the right time to come out of the oblivion. According to Nilufar’s vision, modern antique dealing is an old definition. It is necessary to shift towards a less vague word, searching for names, projects, schools, manufactures, countries making history and deserving to be proposed again. Crossing The history of taste is a never-ending exercise of decomposition and re-composition, just like a kaleidoscope… This continuous joining together of pieces and traditions houses an open eye, heedless of labels, able to cross fences created by time, geography and cultural matrixes, aware that assonances and contrasts can be two sides of the same coin. This is the idea of Crossings, the name of two successful exhibitions Nilufar held in 1999 and 2000, a true invitation to build new visions of the world, being far more personal and freer. Creating Milan is an interesting lab and a privileged point to observe the euphoric and restless scene of design. Nilufar gives life to projects, editions, site-specific shows and publications, working both with great masters and emerging authors. Nilufar is operating in the scouting of new talents. Creating means bringing about occasions, sparkles. It means also obtaining new spaces and filling them with value for the future. Here in Italy we know how to do it: Renaissance was born here!
Website
nilufar.com
Address
Nilufar Gallery, 32 Via della Spiga, Milan, Italy
Current city: Milan
DOMENICO DE CHIRICO: ITALY, INDEPENDENT CURATOR. Domenico de Chirico is an independent curator from Italy. Born in Bari in 1983, he lives and works in Milan. From 2011 until 2015 he was a professor in “Visual Culture” and “Trend Research” at Milan’s European Institute of Design (IED). He collaborates with a number of international artists, galleries, institutions, art fairs, art prizes, and magazines worldwide. He has been artistic director at DAMA Fair, Turin since 2016. He was also a visiting tutor at Goldsmiths, University of London (2018). Upcoming exhibitions and researches (2019/20): Accademia di belle arti di Urbino, academy of fine arts located in Urbino, Marche, Italy (guest lecturer); Bienvenue Art Fair, Paris (prize jury member); Fotopub Festival, Novo Mesto, Slovenia (guest lecturer). Exhibitions in various venues and cities, among which: Turin, Milan, Berlin, Munich, Lisbon, Miami, Brescia, Istanbul, Florence, Venice, Rome, Prague, Mallorca, and so forth.
 

More Places in Milan 60

Cute cafe designed by Wes Anderson at the Prada Foundation. The interior is in the style of a Milanese bar from the 1950s/60s and has a good selection of sandwiches, coffee and alcoholic drinks.
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Posted by iris roth
It's a very laid back bar located in Chinatown, that serves also food. I have designed this bar with Roberto Marone, who is one of the owners and we took inspiration from our various travels. It's a very cozy, almost homely place and a perfect spot to hang out. 
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Nilufar Depot: three storeys of historic and contemporary design, selected by Nina Yashar, one of Milan’s top design dealers. 
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The Milan venue of Fondazione Prada, conceived by architecture firm OMA—led by Rem Koolhaas—expands the repertoire of spatial typologies in which art can be exhibited and shared with the public. Characterized by an articulated architectural configuration which combines seven existing buildings with three new structures (Podium, Cinema and Torre), the venue is the result of the transformation of a distillery dating back to the 1910’s. In the project conceived by OMA, two conditions coexist: preservation and the creation of a new architecture which, although separate, confront each other in a state of permanent interaction. Located in Largo Isarco, in the south of Milan, the compound develops on an overall surface of 19.000 m2/205,000 ft2. Torre marks the completion of the Milan venue. The 60-meters high building is realized in exposed white concrete. Each of the nine floors of Torre offers an original perception of the internal environments thanks to a specific combination of three spatial parameters: plan dimension, clear height and orientation. Half of the levels is in fact developed on a rectangular floor plan, while the other half displays a trapezoid one. The clear height of the ceilings increases from bottom to top, varying from 2,7 meters on the first floor to 8 meters on the top level. The external façades are characterized by an alternation of concrete and glass surfaces, which allows exposure from a northern, eastern or western side on the different floors, whereas the top gallery space is exposed to zenithal light. The southern side of Torre presents a diagonal structure inside which a panoramic elevator is integrated. As stated by Rem Koolhaas: “The Fondazione is not a preservation project and not a new architecture. Two conditions that are usually kept separate here confront each other in a state of permanent interaction–offering an ensemble of fragments that will not congeal into a single image, or allow any part to dominate the others. New, old, horizontal, vertical, wide, narrow, white, black, open, enclosed – all these contrasts establish the range of oppositions that define the new Fondazione. By introducing so many spatial variables, the complexity of the architecture will promote an unstable, open programming, where art and architecture will benefit from each other’s challenges”.
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Vintage lovers! The Planetarium of Milan, Civico Planetario "Ulrico Hoepli", is a building located at the entrance of Giardini di Porta Venezia. It's a beautiful structure designed by Piero Portaluppi and commissioned by the Italian-Swiss publisher Ulrico Hoepli. Also the interior design is beautiful, there you can find a planetarium which projects and represents the image of the stars and their movements in the sky. The Planetarium also has a library which is a section of the Museum of Natural History, near by. They also organize educational activity concerning astronomy as talks, events and even concerts. 
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