I have old friends in San Francisco who grudgingly tell me that the High Line is everything that's wrong with New York. Well, too bad. To me, it embodies a culture that's constantly reinventing itself: a defunct elevated railway that was becoming a burden to the city ("we used to climb up there to throw garbage bags full of rotting Korean food at the Hasids!", noted a successful photographer's assistant) becoming a startling example of urban greening for the public good. The expert landscaping makes it feel like walking on a Montauk beach - but a stone's throw from some of New York's most progressive galleries and hotels.

Interference Archive is a volunteer-run library, gallery, and archive of historical materials related to social and political activism and movements.

The graphic designer Rudolph de Harak created a three-story digital clock installed on the exterior of 200 Water Street. The clock consists of 72 square modules with numerals that light according to date, hour, minute and second.

Erie Basin is a really wonderful little shop full of old, creepy and beautiful things, such as Victorian mourning jewelry (some with hair in it), Freemason masks from the 1900's, tiny children's rings from the 1700's, and all kinds of other treasures. It is really as much a museum as it is a store, and all of the items have a haunting and unique aura.

For brunch, the classic dish to get is the Feijoada, but the benny is also solid (and i don't recommend a benny lightly)—you can also ask for ham and spinach together (my favorite). For dinner you can also get the same thing, or the Moqueca (shrimp stew) is incredible. Pro-tip: if you're there for breakfast on a weekday, ask for a egg and cheese (add bacon or ham or avocado) on a croissant. Not on the menu—sounds basic, tastes amazing.