New York’s first meadery! Delightful. 
Website
enlightenmentwines.com
Address
Honey's, 93 Scott Avenue, New York, United States
Current city: New York
Sarah Meyohas (b. 1991, French­ American) uses networks of information, power, value, and communication. Meyohas has had solo exhibitions at Independent Régence in Brussels, Galerie Pact in Paris, and 303 in New York. Her work has been included in shows at the Museum of Contemporary Art Detroit, The Aperture Foundation in New York, Regen Projects in Los Angeles. In 2015, she invented BitchCoin, her personal cryptocurrency. Her current show is on view at Red Bull Arts in New York. Meyohas holds a B.A. in international relations from the University of Pennsylvania and a B.S. in finance from the Wharton School, and in 2015 received an M.F.A. from Yale University. She is based in New York and runs an eponymously named gallery, Meyohas, in Long Island City.
 

More Places in New York 452

After his guitar class, I would ride the 1 train down and meet him for a movie. That was years ago. Now I continue to come, sometimes alone. It’s one thing I enjoy doing by myself: going to the movies to see independent films that are oftentimes bizarre and somewhat depressing, but I like it all the same.
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Little skips is my place when I need to refill my energy with some morning sunlight. The big windows facing the street let all the light in while you can drink some coffee. My favorite thing to eat is the grilled cheese sandwich with some avocado. Out of rush hours or weekend mornings, it's a pretty good space to take your laptop and get some work done.
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I love this place. It’s almost always empty. I can think here, and look at the New York City skyline which is amazing and exciting and always inspiring and reminds me of how lucky I am to live here.
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One of the last untapped areas of downtown Manhattan. Hand pulled noodles, cheap eats, and a concentrated area of families make this an often interesting place to explore.
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In 1963, the Italian-born sculptor Costantino Nivola filled a playground that covers an entire city block with avant-garde abstractions. In the middle of an Upper Manhattan housing project, there are cuboid cutouts sculpted in cement, a fountain made with two diamond-shaped boulders, concrete play horses, and a sand-casted relief carved high into a wall. In the northeast corner, a matriarchal figure known as “The Nanny” rises from the ground. The artist’s sculptures were built in an era when urban development incorporated art in its effort to uplift communities and express democratic ideals. “A work designed for a public space is less a work of art than a civic act,” Nivola once said. “It concerns the ways in which we live together, and in which we influence each other.”
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