In 1963, the Italian-born sculptor Costantino Nivola filled a playground that covers an entire city block with avant-garde abstractions. In the middle of an Upper Manhattan housing project, there are cuboid cutouts sculpted in cement, a fountain made with two diamond-shaped boulders, concrete play horses, and a sand-casted relief carved high into a wall. In the northeast corner, a matriarchal figure known as “The Nanny” rises from the ground. The artist’s sculptures were built in an era when urban development incorporated art in its effort to uplift communities and express democratic ideals. “A work designed for a public space is less a work of art than a civic act,” Nivola once said. “It concerns the ways in which we live together, and in which we influence each other.”

The permanent piece called "Meeting" at MoMA PS1 is an etherial experience of light and color and quiet. Sit and look through the cutout in the ceiling and watch the light change both outside and in. You can't tell what you're looking at until maybe a bird flies by.

It’s photographer Jay Maisel’s studio building on the Bowery. The fact that he hasn’t sold out to the manic gentrification of everything in New York is even cooler. Makes me happy that the whole place is covered in piss stains and graffiti when everything around it is all polished and shiny and expensive. It’s like a giant middle finger raised to those disgusting, bloodthirsty, city-raping real-estate developers. Awesome.

"Mills" is my local bar, I live in that block, it's an old horse stable (for two horses) it's tiny, cozy, great drinks, food is great too - in the summer you can sit outside

Explore NYC’s new and enduring architecture, engineering marvels and the revitalized waterfront from the teak decks of Classic Harbor Line’s elegant motor yachts.