Erie Basin is a really wonderful little shop full of old, creepy and beautiful things, such as Victorian mourning jewelry (some with hair in it), Freemason masks from the 1900’s, tiny children’s rings from the 1700’s, and all kinds of other treasures. It is really as much a museum as it is a store, and all of the items have a haunting and unique aura.
Address
Erie Basin, 388 Van Brunt Street, Brooklyn, New York, United States
Current city: New York
Jade Doskow is a photographer and professor based out of Brooklyn, New York. She shoots with a large-format technical camera and is especially drawn to antiquated utopian architecture. Recent projects include an investigation of the remaining sites and structures of world’s fair sites internationally. Jade is a contributing photography blogger for the Huffington Post. She has her MFA in photography from the School of Visual Arts in New York and is represented by Wall Space Gallery in Santa Barbara, California. She lives and works out of Red Hook, Brooklyn, with her husband, the painter Lambert Fernando and their son Benjamin.
 

More Places in New York 452

Tucked away on the second floor, it’s easy to forget you’re in the middle of Manhattan. Order the Ika geso (squid legs) and the nankotsu (chicken cartilage), my personal favorites. You might notice people waiting around a nondescript door inside the restaurant; this is actually the entrance to the speakeasy bar Angel’s Share.
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Where New Yorkers escape when the heat wave hits the city. Easy to access with subway and buss but less crowded than Rockaway.
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If you are looking for extraordinary studio-space, rental and awesome customer service included: this is your place to have your photo-shoots happening! There is also a lot of attractive outdoor options in the area around Greenpoint.
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In 1963, the Italian-born sculptor Costantino Nivola filled a playground that covers an entire city block with avant-garde abstractions. In the middle of an Upper Manhattan housing project, there are cuboid cutouts sculpted in cement, a fountain made with two diamond-shaped boulders, concrete play horses, and a sand-casted relief carved high into a wall. In the northeast corner, a matriarchal figure known as “The Nanny” rises from the ground. The artist’s sculptures were built in an era when urban development incorporated art in its effort to uplift communities and express democratic ideals. “A work designed for a public space is less a work of art than a civic act,” Nivola once said. “It concerns the ways in which we live together, and in which we influence each other.”
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Sculpture by Tom Otterness at the 8th Avenue subway station at 14th street 
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