citylikeyou — The New Museum — New York by Verena Michelitsch

New York / Museum

When I first visited NY in 2010 the New Museum left a permanent impression. I love the architecture and the concept of the piled-white-shoe-box look-a-like building at the edge of the Lower East Side neighborhood. The exhibition program is appealingly different, and the bookstore in the foyer is not to be missed!

Website
newmuseum.org

Address
The New Museum, 235 Bowery, New York, United States

Graphic Designer Art Director Illustrator Creative Director

Current city: New York

verenamichelitsch.at

I’m Verena Michelitsch, an independent designer and art director from Austria by way of New York City. I specialize in conceptualizing and creating unique visual expressions, spanning graphic design, art direction, illustration, pattern, editorial, and digital design. I’ve had the pleasure to work with an array of international studios and clients, including Apple, Nasa/JPL, Facebook, Red Bull, The Smithsonian and Opening Ceremony. I work from my studio in Greenpoint, Brooklyn.

More Places in New York 452

New York / Restaurant

Favorite date spot in town with my favorite food on earth.

New York / Theatre

Niche cinema for people who care too much about film and like obscure things. The restaurant/bar upstairs has great food, drinks, and skylights too.

New York / Park

I read that the design of Central Park's curving spaces was a Romantic counter to the geometry of Enlightenment-era gardens. I heard this design was influenced by landscape painting, where its foreground, middleground, and background constantly shift as you walk the paths. I find new pockets and features every time I'm there. One of my favorite spots is with the Central Park Dance Skaters, a group that roller skates in circles all day to vintage electro funk. These characters generously lend you the feeling of being in your own 1980's New York film.

New York / Park

One of the best places in NYC.

New York / Gallery

I discovered the Frick my first week in New York, during a heat wave in August. The galleries were surprisingly empty, with only the occasional visitor strolling through the rooms, gently creaking the floorboards. I stood for a while in front of the Bronzino, a portrait of a boy standing against a background of green drapery, and then sat in the courtyard for a long, cool hour.