Wonderful little café in Poble Nou for light lunches and afternoon tea/coffee. The interior is fantastic and you can buy arty magazines and cute plants here.
At Casa Bonay you can find pretty much everything you need. First off all the hotel bar is one of the most beautiful rooms in Barcelona, if you, for some reason want to change the environment you can just walk through a door into Satan's coffee for some of the best coffee in town or look in the little shop for books, palm-patterned shirts and other pretty things.
They also host a lot of creative events here like movie screenings, beer tasting and talks.
One of Stockholms most beautiful and well hidden art museums. This studio of Swedish sculptor Carl Eldh is located in a stunning old wooden building close to Brunnsviken/Haga parken.
One of Malta's most stunning locations in the middle of Valletta. This place was built in 1571 and was at that point the seat for the Grand Master of the Knights of St John. It's now partly the office of the president of Malta but the first floor are open to the public and the space is absolutely amazing.
Ginko Yang is an illustrator & graphic designer based in London & Shanghai.
Researching in Central Saint Martins, she is now working on imaginary landscapes and the life-long subject of how to chill.
Seryoung An is an Artist and Visual Image Maker. She is interested in communicating and interacting with a large audience through her work.
Her projects start from a personal narrative that leads to visual narratives on paper. The scenes from the narratives she creates are usually a representation of herself and her experiences. She gets inspired from everyday objects in her surrounding world, the ongoing civilisation, current affairs and nature.
She creates books posters and stationery based on images made from hands-on techniques such as collage, linocut, watercolour painting, acrylic and gouache.
I am a clay illustrator. Like most of us, I started playing around with clay at a very young age. Unlike most of us, I continued my practice right through my childhood and into adulthood. Nowadays I view my lumps of clay with the same wide-eyed, open-ended imagination that I did as a child, but now I take it to a level of refinement and expression, achievable only through thousands of hours of practice and a true love for my art. And now I hardly ever eat the clay.