Since I was a child I always loved to go to the aquarium in Artis. This mysterious world that we will never really get to know makes me wonder and raises questions. I like this mysterious world. It’s a place to relax and think things over.
Website
artis.nl
Address
The Old Aquarium, 38-40 Plantage Kerklaan, Amsterdam, Netherlands
Current city: Amsterdam
Popel Coumou lives and works in Amsterdam and studied photography at the Gerrit Rietveld Academy. Her work consists out of analog photographs of collaged spaces that hint at human presence. Through her use of lighting she transforms the collages into 3 dimensional spaces that seem both natural and unhinged.
 

More Places in Amsterdam 100

Banging my head against the ceiling on the first floor doesn’t stop me from drinking a coffee in café Latei at Nieuwmarkt. I love it here, especially on rainy days, which is most days in the Netherlands. This small cosy café filled with a thousand colours warms me up.
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Smack in the middle of tourist district and right on the border of the red light district. My good friend (and super talented photographer Qiu Yang, check it out folks!) is part of the furniture there and because of him, we - his friends - are allowed to order outside of the menu. So none of that westernized mild gruel, but the real spicy tongue-numbing-deal. Before going out to parties, after gallery openings or just when we’re hungry, our bunch always gathers there. Good times!
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It's a very small museum in the Hermitage about art made by outsiders. It's also known as 'Art Brut', a name given to it in 1972 by French artist Jean Dubuffet. It simply means that it is art made by people that don't fit in the normal life structure that humans suppose to have. Which can mean that the art is made by people who are in jail, who are ill, have a mental dissability or another way of not fitting into the community. The exhibitions are quite small, so it takes you just around an hour. And the hermitage has a nice canal view.
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At the Damrak on the daily journey between home and studio, my eye is continually drawn to the emblem that has functioned as a façade ornament on the corner of the Beurs van Berlage for more than a hundred years. In combination with the past function of the building - trade centre - and in relation to the present financial crisis, the timeless maxim gains extra significance: ‘Dis-pe-reert niet’ (‘Do not des-pair’).
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The fence around De Nederlandsche Bank on the Frederiksplein is a true optical experience. While passing the building, a rhythmic, dynamic pattern appears and disappears in the trellis of the fence. The figures on the sides of the rails were designed in 1992 by artist Peter Struycken, a pioneer in the area of environmental art and generating computer-program based image, light and colour compositions.
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