A wonderful farm in the middle of NYC.

The graphic designer Rudolph de Harak created a three-story digital clock installed on the exterior of 200 Water Street. The clock consists of 72 square modules with numerals that light according to date, hour, minute and second.

The Performing Garage is an Off-Off-Broadway theater in SoHo, New York City. Established in 1968, it is the permanent home of the experimental theater company originally named The Performance Group that morphed in 1980 into The Wooster Group, and their primary performance venue.

Always beautifully curated shows in a whitewashed space. The work is juxtaposed with the bustling China Town backdrop, adding a dose of life and grit compared to the other often hyper sterile art spaces around the world.

In 1963, the Italian-born sculptor Costantino Nivola filled a playground that covers an entire city block with avant-garde abstractions. In the middle of an Upper Manhattan housing project, there are cuboid cutouts sculpted in cement, a fountain made with two diamond-shaped boulders, concrete play horses, and a sand-casted relief carved high into a wall. In the northeast corner, a matriarchal figure known as “The Nanny” rises from the ground. The artist’s sculptures were built in an era when urban development incorporated art in its effort to uplift communities and express democratic ideals. “A work designed for a public space is less a work of art than a civic act,” Nivola once said. “It concerns the ways in which we live together, and in which we influence each other.”