where I walk with my dog near my apartment, is also the remains of what was Fort Putnam in the late 1700’s and later Fort Washington near the Navy Yard. Not the largest park but a regular part of my routine and big enough to feel like you’re still out of the city when you’re in the middle of it.
Ft Greene Park, Myrtle Avenue, Brooklyn, New York, United States
Current city: New York
Chris Ballantyne’s work focuses on vernacular architecture and observation of the American landscape.  Banal features of suburban and industrial zones are sources for paintings that highlight the quirky and absurd.  Ballantyne states that, “Growing up in a military family and moving to different parts of the country, there was a certain familiarity to the kinds of houses and neighborhoods. They were a series of suburban developments built in separate regions of the country, always on the outskirts of larger cities, at the exit ramps of interstate highways, and all very similar in age and design.  My own notions of space developed out of this cultural landscape which was striving for an indidvidual sense of personal space,  consciously economic, and somewhere between urban and rural.” Dysfunctional structures are flawless in their strangeness, made beautiful through symmetry, simplified lines and flat, subdued colors. Ballantyne eliminates detail to emphasize the subtleties of the way we experience space and our attempts at containment. He extends these concepts further by expanding the imagery of his paintings beyond the picture plane and onto the surrounding walls. “Most of my works involve combinations of various places, drawn from memory. As well, my own interests in skateboarding and surfing altered how I saw  the use of these structures ranging from empty pools, sidewalk curbs, to ocean jetties in a way that tied in to my sense of this larger push and pull between culture and nature.” With shrewd restraint, Ballantyne accentuates the antisocial effects of our built environment with a hint of humor and plenty of ambiguity. A curious emptiness permeates the work of Chris Ballantyne. Graphically rendered buildings, pools, parking lots, and fences take on new meanings and amplified significance, isolated on flat fields of color.

More Places in New York 334

The community effort put into street art in new york is nothing short of staggering at times. Here's a recent Paint Pour at the closing of the legendary "Monster Island" space in Brooklyn.
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I keep going there when I miss my friend Aggeliki. We meet on the line waiting to watch Martha Marcy May Marlene. I just arrived in NYC, I remember we both were in the same situation. We became very close since that day.
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I remember when I saw Shadows, by Andy Warhol in that big room. I was sitting in a sofa, and felt asleep. When I woke up it felt incredible. When my friends come to visit me it's a place where I like to go all together.
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Before you head to The Office NYC, stop at MAD - it is a beautiful museum with ever-changing exhibitions.
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Housing European Romanesque and Gothic collections, the building itself sits high on a hill offering far reaching views over the Hudson River and Upper Manhattan. A place to bookmark for after the Spring equinox when you can ramble amongst the fragrant herb gardens of Fort Tryon Park and drink in the air of the season.
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