About Shantell
Drawing on Everything.
http://www.shantellmartin.art/
 
I used to live around the corner from here and would be there for breakfast, lunch and dinner almost everyday. The staff is super friendly and I believe it's the best pizza in town. I also did the mural outside and I love seeing all pictures people post and how people engage with the work and how it becomes a part of their experience there.
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Posted by Shantell Martin
My favorite restaurant in Manhattan, it's super fresh, vegan/vegetarian and tasty and the staff is wonderful.
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What can I say, I love donuts and these are my favorite in New York.
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I don't go to the movies much but when I do I love coming here... they have the best of the independent and international films and it's the last of it's kind in New York.
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This is where my studio is located. its also home to the Richard Meier Model Museum, the ICP archives and gallery and much more.
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I basically lived at this place when I lived in Tokyo. This was also the first place I ever performed. Good food, nice shows and a great mixture of locals and international people.
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If your a drinker, like a good Sunday roast or want a friendly place to chill. Here you go.
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More People in London 501

German born Dennis Schoenberg moved to London to study Film and Audio-Visual Production and subsequently completed an MA in Photography at Westminster University. Dennis then went on to work as a photographic assistant for Rankin at Dazed & Confused before moving to New York to assist Steven Klein. On returning to London Dennis became Studio Manager for Turner Prize winner Wolfgang Tillmans. Throughout this time Dennis built up a relationship with i-D Magazine for which he started working as a freelance photographer after having left his position at Wolfgang Tillmans. Since then Dennis has been working as a portrait and fashion photographer as well as a video director.
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Jiaqing Mo is a Chinese artist based on London, her work centres film, installation, performance to create immersive theatrical installations with video. The theme is about relationship, time, endless, instability...She try to the relationship between objects and human life by using strange human action or human-made objects.
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Shortlisted as Emerging Woman Architect of the Year by Architects Journal,‘new talent’ by the Guardian and ‘one to watch’ by Wallpaper’s Editor Tony Chambers in 2012. Pernilla Ohrstedt was born in 1980 in Stockholm. Her design output has been both in the UK and abroad, spanning the disciplines of experimental art, architecture and curatorial practice. In 2011 Pernilla set a collaborative architecture partnership with Asif Khan. She has collaborated on several celebrated projects with Asif, including Future Memory Pavilion 2011 for British Council and Royal Academy of Arts in Singapore, Cloud 2011 for Design Miami Basel and Colette, Paris. Pernilla & Asif are currently designing Coca-Cola’s pavilion for the London 2012 Olympic Park. The 1000sqm Pavilion is an experimental building called the Beatbox. Collaborating with the music producer Mark Ronson the pavilion seamlessly integrates innovative sound technology and experimental design into a piece of architecture that the visitor will be able to play like a musical instrument.
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After years of casually being Ask The Hoff to friends and friends of friends I decided to share my knowledge and discoveries of London and beyond. 
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Misha Milovanovich is a Belgrade-born artist living and working in London. Misha works across several mediums, from sculpture to painting and live art. Characterised by vivid colour, optical movement and energetic visual cadences, Misha's visual work fuses a diverse repertoire of images and forms. She often features discarded shards of consumerism - unloved icons of disposability and careless consumption.   Misha's work is often a symphonic  abstraction. Her colourful, densely layered works are held in a state of tension between order and chaos, rational structure and spontaneity. She combines depth and surface relief, orchestrating bold contrasts of form, texture and space in her pictures. An intimate colour palette of bodily fluids - red, pink, white, black, yellow and brown - animate the writhing forms and the refracted memories of cartoonish cultural production.   A cultural polymath, Misha is constantly engaged in observing society and it’s distortions of desire, lust and attitudes to the body. Traditional techniques have been studied and absorbed and although her work is partly conceptual, it's execution always reflects these hard won technical abilities. Misha's main subject matter is emotion, so naturally her work is highly personal and biographical in ways that create a direct, emotional response from the viewer. Empathy and the universals of human experience - passion, nostalgia, desire and disgust are inescapable in her work.   Misha is herself a ‘displaced’ person, having left Serbia for London in her late teens she still carries within her a ‘stranger’s perspective’ and perceives the world as an outsider, someone ever alert to the non-verbal subtleties of communication.   Misha's artistic progenitors include her mentor Martin Kippenberger, Wassily Kandinsky  and Phillip Guston as well as contemporary artists Gilbert and George, Keith Tyson, Robert Pruitt and Jim Lambie.
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