Since September this year, the very best place to hear an authentic voice, keeping Wall Street sharp.

In 1963, the Italian-born sculptor Costantino Nivola filled a playground that covers an entire city block with avant-garde abstractions. In the middle of an Upper Manhattan housing project, there are cuboid cutouts sculpted in cement, a fountain made with two diamond-shaped boulders, concrete play horses, and a sand-casted relief carved high into a wall. In the northeast corner, a matriarchal figure known as “The Nanny” rises from the ground. The artist’s sculptures were built in an era when urban development incorporated art in its effort to uplift communities and express democratic ideals. “A work designed for a public space is less a work of art than a civic act,” Nivola once said. “It concerns the ways in which we live together, and in which we influence each other.”

Every seat is a good seat in this small, intimate theater dedicated to dance. Nearly every dance company has filtered through the theater and with a season that lasts about 45 weeks, there's always a performance to see and tickets are very reasonably priced. I prefer a performance at The Joyce then at Lincoln Center any day.

A delicious treat at the end of a warm day. The ice cream has a rich sesame flavor and is not as cloyingly sweet as regular American ice cream.

Great film curation, cocktails, and restaurant. They keep the foodservice and theater separate which is great because I get distracted easily.