One of my favorite things to do on weekends is to head to Grand Central Market for brunch, grab a few glasses of wine at the Oyster bar and then roam around downtown collecting pigeons. Over the past few years the market has been modernized and has become a really trendy spot, but it still retains aspects of what it was like decades ago. Some of my favorite stands are The Oyster Gourmet, Sarita's Pupuseria and the Belcampo Meat Co.
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Tuesday's lunch hour tip is the amazing Berlin Philarmonic. A short-duration concert (around an hour) happens every Tuesday at 13h, for free. People make the Philarmonie's foyer full, sitting on the stairs, on the ground and everywhere around. Little advice: bring with you a little cushion for more comfort and try to arrive early to find the good spots.
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Though you might say the city is full of colors, from Velazquez's tones of greys to Miro's vivid strokes and shapes. From Goya's darkness to Picasso's blues, Rastro's potency and variety of people and fabrics, or even shop windows for tourists full of Sevillanas and colorful magnets - the biggest canvas is above all of us. It's hard to beat the intense blue of Madrid's sky. I have no idea if Giotto has been here, but I'm pretty sure he was inspired by Madrid's sky to paint Padua's chapel's ceiling. The smoothest blue of Madrid's sky lies in contrast with the dryness and ocre buildings and landscape gives me torticollis. The colors may vary from mediterranean sea, Yves Klein Blue and Pantone 293C. It doesn't matter how it's defined - it is, for me, a boost of cheerfulness in any place and mindset I find myself in. I won't be able to touch or reach the blueness of this sky, but it touches me. Deeply. And I happily allow it.
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The Hollywood reservoir is hidden in between the Hollywood hills- it’s never busy and the 3 mile loop is always peaceful and great for self reflection meditation. 
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You have a lot of hills to choose from in San Francisco but in my opinion the best (and most varied) views are from Bernal Hill. Bonus: from my kitchen table I can watch tiny blobs moving around on this hill-- slow blobs are people, fast blobs are dogs.
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Delicious. Mainly, if you've never been - go and get the chocolate mousse for dessert because you won't shut up about it for years to come.
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If you are not afraid to dig your way through and like to hunt for hidden treasures... 
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One of the best places in the world to see left field, experimental and creative new music which sits outside the realm of the mainstream. It should be cherished. I wish i went more often...Some highlights of mine include Midori Takada and Acid Mothers Temple.
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This Bookstore has an amazing photography section. I go here to get inspired. You can spend hours in here looking at all kinds of great photography books.
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This is the (work)shop for students at Academie Minerva (Art Academy Groningen) and is located in their facility. Old prints and typography-families everywhere are so inspiring. All typefaces are located here, including old machines for perfect hand-crafted work.
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Posted by Léa Marque
One of the best pasta dishes i've ever had. Raggu pastas are heaven!
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Patriarch's Ponds is an affluent residential area, one of the most exclusive neighborhoods in the city. It dates back to at least the 17th century when Patriarch Ioakim, the eleventh Patriarch of Moscow and All Russia was settled here. The Patriarch Ponds area (locals simply call it “Patriki”) is the main gourmet center of Moscow, both for tourists and locals. From small coffee corners and secret pubs to posh restaurants and trendy bars – here surrounding the green oasis of Patriarch Ponds park you can find anything you want. The most interesting places are located on Malaya Bronnaya street and its side streets – and all this is just a 10-minute walk from Mayakovskaya metro station.
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Studio Vanessa Barragão is a design studio focusing on the artisanal techniques and wasted yarns from the industry to produce textiles and products for interiors. Growing up in the seaside, her connection to the ocean is the inspiration for her artworks. Vanessa Barragão’s work is characterized by her captivating environments of coral reefs, cleverly combining craft and recycled materials into unique and luxurious sculptural carpets and tapestries for floors and walls. Vanessa was born in Albufeira, in the south of Portugal. Her studio was founded in 2014 when she attended a Master degree at the Lisbon University in fashion and textiles design. There she developed her first wool yarn collection and tapestries through an ecological artisanal process. Currently, she is based in Porto, the Northern region of Portugal where the nation’s textile industry core is located, and divides her time between collaborating as a textile designer for an artisanal rugs factory and running her studio. 
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Born Lima Peru Raised in Chicago
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Tanja Hildebrandt is a graphic designer, illustrator and print maker currently living in Berlin. She's currently working on her diploma project in communication design, besides she runs her small label TanTan Things, where she can bring her illustrations and patterns to life. She creates screenprinted textile and paper products such as postcards, notebooks and posters. Everything is produced in small batch series. She loves the combination from black and white to vivid colors, the contrast between bold shapes to fine lines and nice things that reminds her on childhood.
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Amsterdam based illustrator Sue Doeksen (1982) creates worlds that are overpopulated with bright colors, friendly shapes, layered or light concepts and hidden jokes. Mediums ranging from physical, digital, pencil-drawn, paper-cut, and animated. Juggling commercial and personal project balls she is often overwhelmed because there are so many visual adventures to be made at the same time and therefore wishes there were just many more hours in a day.
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Illustrator based in Berlin
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Erin, nomadic being inspired by the unknown. Based as a freelance photographer for 5 years in Mexico and after a recent project in North Africa, Erin has recently returned to a base in Australia. Erin’s work applies environmental portraiture with landscapes and habitats to break the stereotypes which surround her subjects.
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A longing for the other, as well as encounters with the uncanny, inform the photographic language of Yuri Andries. The artist works both close to home or travels miles away to explore unknown territory. His images are characterized by a deliberate use of color and a keen sense of the graphic. They evince a serene aesthetic and a search for stillness. They hover between dream and reality, between reality that is not the truth and fiction that is not a lie. Yuri Andries holds an MA in Graphic Design from the Royal Academy of Fine Arts in Ghent. During his Graphic Design studies, he developed an interest in photography, fascinated by the medium’s tense relation to reality and its function both as a documentary medium and a means to stimulate the imagination. Since 2016, he focuses on his own photographic projects which have been published in National Geographic, GUP Magazine, Ignant and Aint-Bad, among others.
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Womenswear and Menswear Designer
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Art director, designer and sometimes-trying-hard-to-be-conceptual-artist who enjoys exploring all kinds of puzzling ideas, vibrant concepts and non-linear thoughts.
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To avoid any confusion: MAFF is not the Ministry of Agriculture, Fisheries and Food, even though we’re huge fans of dogs and food. MAFF is a committed Antwerp-based design studio founded by Claudio Pascariello and Elke Treunen. We are great and easy to work with. No fussing, we do what we say and say what we do. Small projects, big projects, events, you name it. We love to surprise our clients with smart and creative solutions. Have a look!
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I am an observer. Through digital and analogue photography, still and moving images, I explore the potential ground that exists between fine art and documentary photography. Drawing inspiration from various conditions of the reality around me, from the great interest in the modern, dynamic art scene but also from my personal experiences, I believe in the power of images to convey the emotions, truths and challenges of modern reality. Having spent the majority of my life away from my motherland, I often return to the theme of homesickness and belonging in my artwork. My approach to picture making is to present ordinary, non-idealised, never staged reality. Such practice is the formulation of an interest in things as they are. By using only one lens which is the most similar to a human field of view, I am capturing the moments and non-moments that drag my attention. I am a sentimental and nostalgic artist and the camera is the best tool to anchor oneself to memories and emotions that are constantly fleeting. My work starts with a strong interest in the moment, light or a situation. The process of looking begins before taking a photograph and continues afterwards. Selecting pictures, printing, making connections, framing or setting up an exhibition space, all of it seems connected to the way of seeing. I immerse myself in the medium fully and utterly.
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