Starting from the end of the Nineties, the Gallery knew how to cut out its own space and become the reference point to lovers of historical design as well as to people following the evolution of contemporary design, above all within that more learned, poetic and visionary area shifting between production and contemporary art. Nina Yashar, the gallery founder, works with her sister Nilu and a team of five people. Nilufar took part in several editions of Pavillon des Arts et du Design in Paris and is always present at Design Miami/Basel. Nilufar has its own small manifesto, composed of three words: Discovering, Crossing, Creating. Discovering Novecento is the century of design, a source of extraordinary stories and objects which will be dealt with again for a long time, waiting just for the right time to come out of the oblivion. According to Nilufar's vision, modern antique dealing is an old definition. It is necessary to shift towards a less vague word, searching for names, projects, schools, manufactures, countries making history and deserving to be proposed again. Crossing The history of taste is a never-ending exercise of decomposition and re-composition, just like a kaleidoscope... This continuous joining together of pieces and traditions houses an open eye, heedless of labels, able to cross fences created by time, geography and cultural matrixes, aware that assonances and contrasts can be two sides of the same coin. This is the idea of Crossings, the name of two successful exhibitions Nilufar held in 1999 and 2000, a true invitation to build new visions of the world, being far more personal and freer. Creating Milan is an interesting lab and a privileged point to observe the euphoric and restless scene of design. Nilufar gives life to projects, editions, site-specific shows and publications, working both with great masters and emerging authors. Nilufar is operating in the scouting of new talents. Creating means bringing about occasions, sparkles. It means also obtaining new spaces and filling them with value for the future. Here in Italy we know how to do it: Renaissance was born here!

This is my favorite music venue in the city. It's on a unassuming strange corner, has the perfect amount of dirty-ness, good beer, and great music. I've spent many nights here watching some of my favorite bands.

Melbourne is one of the coffee capitals of the world so the standard is very high. There are heaps of good cafes around, but sitting on top of the pile is at Brother Baba Budan. Specialists in single origin coffee from quality international coffee beans. When ever I’m in the city, this is where I get my caffeine fix. Usually it’s a smooth silky Caffe latte that goes down way too easily. The quirky ceiling made from chairs is worth a look too.

I discovered the Frick my first week in New York, during a heat wave in August. The galleries were surprisingly empty, with only the occasional visitor strolling through the rooms, gently creaking the floorboards. I stood for a while in front of the Bronzino, a portrait of a boy standing against a background of green drapery, and then sat in the courtyard for a long, cool hour.

Community gardens, divided into small private spaces, each owned by someone else. Located in downtown areas of the city are good opportunity for block of flats citizens of the area to grow their own veggies. In the winter – usually deserted or taken over homeless people for shelter.

It’s coming up to Christmas and if you’re like me, i.e. like to avoid the hustle and bustle of a jam packed Oxford Street to find that perfect item for that special someone why not check out Folk Clothing which is tucked away close to Central St. Martin’s near Southampton Row and surrounded by some really interesting shops including the People’s Supermarket.

If I had to choose one singular and authentic bar in Barcelona, I'll say "Mendizábal". This is not a fancy bar, and that's what I love of Mendizábal. But it doesn't mean it isn't a cute one with a beautiful decoration and good prices. They have a two very differentiated spaces: one privileged terrace in the city center, and the interior salon. Them both are awesome, and it's perfect because you can decide which one fits better with the situation. They do tapas, sandwich, juices, burgers and veggi burgers. In my opinion, they have the best vegetarian sandwich offer in town. But the most important, you can leave the bar without eating their "patatas bravas"

I spent a lot of time at combi coffee while living in Porto. The owners are amazing, the cappuccino with oat milk is to die for and the atmosphere is the best.

Colon City features a mix of architectural styles, ranging from French Creole architecture to Art Deco.

Walk among a sea of snowdrops in February, a blanket of bluebells in May or through the Forest's fiery displays of reds and golds in Autumn…

Where 1984 of George Orwell got its inspiration from, the craziness of a real ministry of propaganda. 

Pirelli HangarBicocca is a non-profit foundation, established in 2004, which has converted a former industrial plant in Milan into an institution for producing and promoting contemporary art. This dynamic center for experimentation and discovery covers 15,000 square meters, making it one of the largest contiguous exhibition spaces in Europe. It presents major solo shows every year by Italian and international artists, with each project conceived to work in close relation to the architecture of the complex, and explored in depth through a calendar of parallel events. Admission to the space and the shows is completely free of charge, and facilitators are on hand to help the public connect with the art. Since 2013, Vicente Todolí has been the foundation’s Artistic Director. The complex, which once housed a locomotive factory, includes an area for public services and educational activities, and three exhibition spaces whose original twentieth-century architectural features have been left clearly visible: Shed, Navate, and Cubo. As well as its exhibitions program and cultural events, Pirelli HangarBicocca also permanently houses one of Anselm Kiefer’s most important site-specific works, The Seven Heavenly Palaces 2004-2015, commissioned for the opening of Pirelli HangarBicocca. The history of Pirelli HangarBicocca is closely linked to that of Breda, a company incorporated in 1886 by Ingegner Ernesto Breda, who moved it to the Bicocca district from 1903. Pirelli, Falck and Marelli followed suit with their own companies, thus turning the area into one of the most important industrial centres in Italy. In the new 200,000m² factory, Breda mainly manufactured railway carriages, electric and steam locomotives, boilers, farm machinery and equipment and, during the First World War, aeroplanes, projectiles and other products for the war effort. One of these factory buildings was Pirelli HangarBicocca, which at the time was divided into blocks of different types, origin and size. The “Shed“, for example, a typical low bare-brick factory building with double-pitched roof and large skylights, is already quite recognisable in photos dating from the first half of the 1920s. It was here that components for locomotives and farm machinery were manufactured. In 1955 Breda Elettromeccanica e Locomotive enlarged its premises with the addition of a cubic barrel-vaulted building which is now the Cubo exhibition space of Pirelli HangarBicocca. The huge building that joins the Shed and the Cubo, which is today called “Le Navate”, was constructed between 1963 and 1965 for the transformers department. It was here that high-powered machines were assembled and tested. The building, which has retained its original dimensions – 9500 m² with a height of about 30 metres – consists of a “nave” and two aisles. Since 2004, one of these has been home to The Seven Heavenly Palaces by the German artist Anselm Kiefer. Storage facilities and sheds were demolished in about 2000 to create the garden where Fausto Melotti’s La Sequenza has been since 2010. In the early 1980s, Breda was taken over by the Ansaldo Group and, almost at the same time, the historic industrial areas gradually began to be decommissioned. The Bicocca district then underwent an almost total urban redevelopment. The Bicocca Project, which was launched in 1986, led to the creation of university buildings, administration centres and private housing around the Teatro degli Arcimboldi, as well as to the redevelopment of the old Pirelli factory buildings. After a decade of neglect, Pirelli HangarBicocca (formerly known as Ansaldo 17) was purchased by Prelios, the former Pirelli RE, which in 2004 decided to turn it into an exhibition space for contemporary art.