A spin around the park on a bike makes me feel good. One lap is about 6.13 miles. I've trained here for longer rides (including this London to Paris ride on a track bike that was 86 miles one day, rest on the second day, and 136 miles on the third day). I've sat there on a Sunday afternoon and have done as many as 10 laps (with rests in between). I switch in-between my carbon road bike and my steel track bike.
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If you love movies, and if you have hangovers - then Nitehawk is the perfect cure, cozy seats, cold beers, drinks and pleasure food
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Opened in 2011 by the people at Magnum Photo Agency (their Paris bureau is a few streets away), Le Bal is an institutional exhibition space dedicated to the documentary image. For the most part that means lots of photography exhibits but they like to mix up the shows with videos and especially books. They hold conferences with a great line-up of guest speakers and screen documentaries and other films at the nearby Cinéma de Cinéastes. Be sure to check out the bookshop where you can browse through their connoisseur’s collection of high-end photo books and limited edition zines. Le Bal Café is a great place to meet friends for a quick drink or sit down and taste Anna and Alice’s Anglo-French cuisine. And if you’re wondering why it’s called Le Bal, the space was once a dance hall cum brothel in the roaring ‘20s.
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A good surprise down the lane - used to hang out with childhood friends here a lot before the commercial development made the area touristy. So happy to spot this independent coffee during a brief stay in Beijing. Cozy space, and impressively diversified line-up of single origin coffee beans, quite neat! 
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Delicious beer and marinated camembert.
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If you want something a little different from your beer, try Lager Lager. "We are an independent bottle shop and taproom in Neukölln with a passion for all things beer. Choose from our 8 rotating taps and 250+ bottles, with new stock arriving each week. Drink in or takeaway a Growler bottle of your favourite beer using our counter-pressure bottle filler, which guarantees freshness."
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One of the oldest Italian restaurants in Madrid. The food is great and has a cosy  atmosphere with lovely interior. Opposite the Santiago Bernabéu Stadium.
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Great shop for creative people seeking inspiration. Small indie arty book shop selling used and rare books & records. Sometimes there's art exhibitions in the back.
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The street view from the outdoor seat plus the fresh bakery make it a perfect spot for breakfasters to chill. I still recall the glorious sunshine last time there with my friend...such a good time!
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Sentrum Scene and Rockefeller Music Hall are two concert venues located close to each other in the center of Oslo. I’ve had some of my best concert experiences here, with both Norwegian and international stars!
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Its been my high street for the last 20years. On a sunny day its full of colors, lots of soul and plenty of bargains. Don't go by what you hear, come and check it out for yourself.
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The oldest still-operating restaurant in New York City, still in the family of the original founders. At Christmastime, it's decorated to the nines. Go with a big group: portions are large and the wine flows liberally. Look for the little buttons on the walls: in the old days, the mafia would hang out in the back room, and if diners saw the cops come in, they'd press the buttons so the mafia guys could run out the back.
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argentinian illustrator and graphic artist.
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Lisa Pepita Weiss is a Swiss graphic designer based in Berlin and Zurich. After graduating at the University of the Arts Zurich in 2009 she moved to Berlin where she is working independently and collaboratively for clients in the fields of culture and businesses – always with a strong focus on conception and much love for typography. In close cooperation with her clients she creates all media experiences and offers solutions in print, web and space.
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Misha Milovanovich is a Belgrade-born artist living and working in London. Misha works across several mediums, from sculpture to painting and live art. Characterised by vivid colour, optical movement and energetic visual cadences, Misha's visual work fuses a diverse repertoire of images and forms. She often features discarded shards of consumerism - unloved icons of disposability and careless consumption.   Misha's work is often a symphonic  abstraction. Her colourful, densely layered works are held in a state of tension between order and chaos, rational structure and spontaneity. She combines depth and surface relief, orchestrating bold contrasts of form, texture and space in her pictures. An intimate colour palette of bodily fluids - red, pink, white, black, yellow and brown - animate the writhing forms and the refracted memories of cartoonish cultural production.   A cultural polymath, Misha is constantly engaged in observing society and it’s distortions of desire, lust and attitudes to the body. Traditional techniques have been studied and absorbed and although her work is partly conceptual, it's execution always reflects these hard won technical abilities. Misha's main subject matter is emotion, so naturally her work is highly personal and biographical in ways that create a direct, emotional response from the viewer. Empathy and the universals of human experience - passion, nostalgia, desire and disgust are inescapable in her work.   Misha is herself a ‘displaced’ person, having left Serbia for London in her late teens she still carries within her a ‘stranger’s perspective’ and perceives the world as an outsider, someone ever alert to the non-verbal subtleties of communication.   Misha's artistic progenitors include her mentor Martin Kippenberger, Wassily Kandinsky  and Phillip Guston as well as contemporary artists Gilbert and George, Keith Tyson, Robert Pruitt and Jim Lambie.
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London-based writer, editor and creative director. Founder and editor-in-chief at Sabat Magazine.
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Born in Russia (Donskoje) `83, moved to Germany `90. I was studying architecture at the University for Applied Science in Koblenz. After the diploma I went to Moscow to work as an architect for Sergei Tchoban. Back from Moscow I made my M.A. at Städelschule in Frankfurt am Main. One of my most emotional periods in my life because of the people and the discussion about architecture. At the moment I am working for Schneider+Schumacher architects in Frankfurt am Main. Currently I don`t have really a home town, I am spending time between many cities. For the moment I like this situation to be more independent.
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Born in 1988 in Cologne/Germany Hugo Hoppmann is a graphic designer and art director who graduated from ECAL in Lausanne/Switzerland in summer 2011. Alongside his studies he interned at Bureau Mirko Borsche, worked for Berlin-based culture magazine 032c and found his own publication Better Mjstakes. After a powerful one-year stint at Meiré und Meiré (working full-time on projects such as Kenzo, Andy Warhol's Interview magazine, Neue Zürcher Zeitung, 032c, brandeins) he has now returned to independency, traveling the world in pursuit for new adventures.
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German born Dennis Schoenberg moved to London to study Film and Audio-Visual Production and subsequently completed an MA in Photography at Westminster University. Dennis then went on to work as a photographic assistant for Rankin at Dazed & Confused before moving to New York to assist Steven Klein. On returning to London Dennis became Studio Manager for Turner Prize winner Wolfgang Tillmans. Throughout this time Dennis built up a relationship with i-D Magazine for which he started working as a freelance photographer after having left his position at Wolfgang Tillmans. Since then Dennis has been working as a portrait and fashion photographer as well as a video director.
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Marc Martin is an illustrator based in Melbourne, Australia. Working with watercolour, gouache, pencil, and computer, his work is a world of dense colour, rich textures and the odd scribble. He draws inspiration from his surroundings, nature, animals, and the city he lives in. You can also find his daily drawings on instagram at @marcmartinillo.
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Creative director and designer
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Veronica Martin is a writer based in Portland, Oregon. Her interest in the historical leads her to work with archival material (objects, ephemera), and to research gestures of the past (how people dressed, prepared food, etc., movements lost as technology and tastes changed), examining how this ecology of the past appears and asserts itself here and now. Her poetry and essays have appeared in Vestoj, Kinfolk, Hesperios Journal, Design Week Portland, and other publications. In 2014 she wrote and edited a column for Tin House’s blog, The Open Bar, about the intersection of fashion and literature, called Your Slipcase is Showing.
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Co-founder and creative director of Pool Practice
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